Domestic Total: 6.85M
Opening Weekend: 3.17M
Legs: 1.81
Overview: In an afterlife where souls have one week to decide where to spend eternity, Joan is faced with the impossible choice between the man she spent her life with and her first love, who died young and has waited decades for her to arrive.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Wed, Nov 26, 2025 | $1,450,535 | + 0.00% | 1348 |
| Thu, Nov 27, 2025 | $616,272 | -57.51% | 1348 |
| Fri, Nov 28, 2025 | $1,137,712 | + 84.61% | 1348 |
| Sat, Nov 29, 2025 | $1,205,975 | + 6.00% | 1348 |
| Sun, Nov 30, 2025 | $826,093 | -31.50% | 1348 |
| Mon, Dec 1, 2025 | $322,172 | -61.00% | 1348 |
| Tue, Dec 2, 2025 | $527,068 | + 63.60% | 1348 |
| Wed, Dec 3, 2025 | $392,564 | -25.52% | 1348 |
| Thu, Dec 4, 2025 | $372,197 | -5.19% | 1348 |
| Name | Character |
|---|---|
| Elizabeth Olsen | Joan |
| Miles Teller | Larry |
| Callum Turner | Luke |
| Da'Vine Joy Randolph | Anna |
| John Early | Ryan |
| Olga Merediz | Karen |
| Barry Primus | Old Larry |
| Betty Buckley | Old Joan |
| Kristina Capati | N/A |
| Olga Petsa | N/A |
| Panta Mosleh | N/A |
| Jeanie Cloutier | N/A |
| Kyle Warren | N/A |
| Elodie Venece | N/A |
| Danny Mac | N/A |
| Devielle Johnson | N/A |
| Noah Bromley | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Threesome | Sep 4, 2025 | $0 |
| The Lovers | May 5, 2017 | $0 |
| Beau Is Afraid | Apr 14, 2023 | $35M |
| Café Society | May 11, 2016 | $30M |
| Unfavorable Odds | Sep 9, 2022 | $4M |
| Past Lives | Jun 2, 2023 | $12M |
| Maybe I Do | Jan 27, 2023 | $8M |
| Olympic Dreams | Mar 10, 2019 | $0 |
Week 1: $6.09M
Week 2: $764.76K
Investor Share: $420.62K
Week 3+: $0.00
Investor Share: $0.00
$294.18K (4.12%)
Investor Share: $102.96K
Budget: $N/A
P&A: $N/A
Gross: $7.14M
Net: $4.18M
Costs: $0.00
Profit: $4.18M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.