Movie Information
Domestic Total: 256.35K
Opening Weekend: 200.31K
Legs: 1.28
Overview: Set in a near future society ruled by sentient A.I., a private eye investigates a murder case only to discover a rebel group capable of undermining the digital overlord. As the detective's identity slowly unravels, his world enters a state of hypnotic meltdown.
TMDB
IMDB
Metacritic
RT Tomato
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Aug 21, 2026 | $96,595 | + 0.00% | 268 |
| Sat, Aug 22, 2026 | $73,895 | -23.50% | 268 |
| Sun, Aug 23, 2026 | $29,825 | -59.64% | 268 |
| Mon, Aug 24, 2026 | $13,135 | -55.96% | 268 |
| Tue, Aug 25, 2026 | $19,010 | + 44.73% | 268 |
| Wed, Aug 26, 2026 | $19,855 | + 4.45% | 268 |
| Thu, Aug 27, 2026 | $4,035 | -79.68% | 268 |
Cast
| Name | Character |
|---|---|
| Andrzej Konopka | Jan 623 |
| Noomi Rapace | Rana |
| Reika Kirishima | Ayka |
| Filippa Kaye | Maria |
| George Aurimas Cris | Zen |
| Niki Sereti | Bossa |
| Ektoras Liatsos | TseTse |
| Rasmi Tsopela | Granny |
| Eleni Tzangka | Mona |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Amazing Digital Circus: The Last Act | Jun 3, 2026 | $0 |
| Death on the Nile | Feb 9, 2022 | $90M |
| King Ivory | May 8, 2025 | $0 |
| The Hitman's Bodyguard | Aug 16, 2017 | $30M |
| Allied | Feb 12, 2016 | $106M |
| Hotel Artemis | Jun 7, 2018 | $15M |
| Stillwater | Jul 29, 2021 | $20M |
| The Outfit | Feb 25, 2022 | $5M |
Profitability Breakdown
Domestic
Week 1: $256.35K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $256.35K
Net: $153.81K
Costs: $0.00
Profit
Profit: $153.81K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
