Domestic Total: 11.7K
Opening Weekend: 11.7K
Legs: 1.00
Overview: A manic-depressive mess of a father tries to win back his wife by attempting to take full responsibility of their two young, spirited daughters, who don't make the overwhelming task any easier.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jun 19, 2015 | $11,700 | + 0.00% | 5 |
| Name | Character |
|---|---|
| Mark Ruffalo | Cameron |
| Zoe Saldaña | Maggie |
| Imogene Wolodarsky | Amelia Stuart |
| Ashley Aufderheide | Faith Stuart |
| Wallace Wolodarsky | Peter |
| Keir Dullea | Murray Stuart |
| Beth Dixon | Pauline Stuart |
| Georgia Lyman | Becca |
| William Xifaras | Bus Driver |
| Mary O'Rourke | Receptionist |
| Chris Papavasiliou | Mr. Fabrini |
| Liam McNeill | Young Man 1 |
| Mark S. Cartier | Maitre d' |
| Alicia Love | Carol |
| Manoah Angelo | Thurgood |
| Nekhebet Kum Juch | Kim |
| Muriel Gould | Gaga |
| Paul Elias | Dick |
| Uatchet Jin Juch | Ali |
| Wendy Forbes | Maid |
| Tod Randolph | Ruth-Ann |
| Patrick Shea | Business Man 1 |
| Brianne Siddall | Additional Voices #3 (voice) |
| Christopher Alan | Bar Fly (uncredited) |
| Christopher S. Porter | Bar Patron (uncredited) |
| George J. Vezina | Joe - Institution Patient (uncredited) |
| Michael Underhill | Young Businessman (uncredited) |
| Mike Jablon | Unfriendly Houseguest (uncredited) |
| David Weindel | Homeless Friend (uncredited) |
| Scout Lyons | School girl |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|
Week 1: $11.7K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$699.43K (98.35%)
Investor Share: $244.8K
Budget: $7M
P&A: $7M
Gross: $711.13K
Net: $251.82K
Costs: $13.4M
Profit: $-13.15M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.