Domestic Total: 4.33M
Opening Weekend: 339K
Legs: 3.38
Overview: Collin must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles, work as movers, and when Collin witnesses a police shooting, the two men’s friendship is tested as they grapple with identity and their changed realities in the rapidly-gentrifying neighborhood they grew up in.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jul 20, 2018 | $143,178 | + 0.00% | 14 |
| Sat, Jul 21, 2018 | $105,062 | -26.62% | 14 |
| Sun, Jul 22, 2018 | $90,759 | -13.61% | 14 |
| Mon, Jul 23, 2018 | $36,945 | -59.29% | 14 |
| Tue, Jul 24, 2018 | $33,989 | -8.00% | 14 |
| Wed, Jul 25, 2018 | $34,772 | + 2.30% | 14 |
| Thu, Jul 26, 2018 | $24,279 | -30.18% | 14 |
| Fri, Jul 27, 2018 | $471,508 | + 1842.04% | 523 |
| Sat, Jul 28, 2018 | $471,039 | -0.10% | 523 |
| Sun, Jul 29, 2018 | $339,001 | -28.03% | 523 |
| Mon, Jul 30, 2018 | $170,677 | -49.65% | 523 |
| Tue, Jul 31, 2018 | $253,510 | + 48.53% | 523 |
| Wed, Aug 1, 2018 | $190,813 | -24.73% | 523 |
| Thu, Aug 2, 2018 | $146,954 | -22.99% | 523 |
| Fri, Aug 3, 2018 | $194,778 | + 32.54% | 523 |
| Sat, Aug 4, 2018 | $271,063 | + 39.17% | 523 |
| Sun, Aug 5, 2018 | $198,008 | -26.95% | 523 |
| Mon, Aug 6, 2018 | $106,975 | -45.97% | 523 |
| Tue, Aug 7, 2018 | $122,646 | + 14.65% | 523 |
| Wed, Aug 8, 2018 | $94,601 | -22.87% | 523 |
| Thu, Aug 9, 2018 | $57,476 | -39.24% | 523 |
| Fri, Aug 10, 2018 | $63,028 | + 9.66% | 138 |
| Sat, Aug 11, 2018 | $92,213 | + 46.30% | 138 |
| Sun, Aug 12, 2018 | $71,698 | -22.25% | 138 |
| Mon, Aug 13, 2018 | $35,220 | -50.88% | 138 |
| Tue, Aug 14, 2018 | $39,130 | + 11.10% | 138 |
| Wed, Aug 15, 2018 | $27,777 | -29.01% | 138 |
| Thu, Aug 16, 2018 | $25,908 | -6.73% | 138 |
| Fri, Aug 17, 2018 | $30,120 | + 16.26% | 47 |
| Sat, Aug 18, 2018 | $46,455 | + 54.23% | 47 |
| Sun, Aug 19, 2018 | $31,986 | -31.15% | 47 |
| Mon, Aug 20, 2018 | $11,174 | -65.07% | 47 |
| Tue, Aug 21, 2018 | $14,920 | + 33.52% | 47 |
| Wed, Aug 22, 2018 | $15,457 | + 3.60% | 47 |
| Thu, Aug 23, 2018 | $12,170 | -21.27% | 47 |
| Fri, Aug 24, 2018 | $21,364 | + 75.55% | 38 |
| Sat, Aug 25, 2018 | $28,396 | + 32.92% | 38 |
| Sun, Aug 26, 2018 | $20,682 | -27.17% | 38 |
| Mon, Aug 27, 2018 | $8,052 | -61.07% | 38 |
| Tue, Aug 28, 2018 | $8,402 | + 4.35% | 38 |
| Wed, Aug 29, 2018 | $8,612 | + 2.50% | 38 |
| Thu, Aug 30, 2018 | $6,811 | -20.91% | 38 |
| Fri, Aug 31, 2018 | $15,763 | + 131.43% | 79 |
| Sat, Sep 1, 2018 | $22,733 | + 44.22% | 79 |
| Sun, Sep 2, 2018 | $23,866 | + 4.98% | 79 |
| Mon, Sep 3, 2018 | $18,720 | -21.56% | 79 |
| Tue, Sep 4, 2018 | $5,580 | -70.19% | 79 |
| Wed, Sep 5, 2018 | $5,645 | + 1.16% | 79 |
| Thu, Sep 6, 2018 | $6,510 | + 15.32% | 79 |
| Fri, Sep 7, 2018 | $9,617 | + 47.73% | 44 |
| Sat, Sep 8, 2018 | $18,390 | + 91.22% | 44 |
| Sun, Sep 9, 2018 | $9,671 | -47.41% | 44 |
| Mon, Sep 10, 2018 | $4,268 | -55.87% | 44 |
| Tue, Sep 11, 2018 | $5,793 | + 35.73% | 44 |
| Wed, Sep 12, 2018 | $5,203 | -10.18% | 44 |
| Thu, Sep 13, 2018 | $4,027 | -22.60% | 44 |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Hell or High Water | Aug 11, 2016 | $12M |
| Swiss Army Man | Jun 24, 2016 | $3M |
| T2 Trainspotting | Jan 27, 2017 | $18M |
| Chi-Raq | Dec 4, 2015 | $0 |
| Gifted | Apr 7, 2017 | $7M |
| Lady Bird | Sep 1, 2017 | $10M |
| Eighth Grade | Jan 19, 2018 | $2M |
| Miss Sloane | Nov 25, 2016 | $13M |
Week 1: $468.98K
Week 2: $2.04M
Investor Share: $1.12M
Week 3+: $1.82M
Investor Share: $910.45K
$651.96K (13.08%)
Investor Share: $228.19K
Budget: $N/A
P&A: $N/A
Gross: $4.99M
Net: $2.54M
Costs: $0.00
Profit: $2.54M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.