
Domestic Total: 433.62K
Opening Weekend: 284.74K
Legs: 1.52
Overview: 1984, Michael Larson, an unemployed ice-cream truck driver from Ohio, steps onto the game show "Press Your Luck" harboring a secret: the key to endless amounts of money. But his winning streak gets threatened when the executives in the control room start to uncover his real motivations.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Apr 4, 2025 | $139,257 | + 0.00% | 659 |
| Sat, Apr 5, 2025 | $82,950 | -40.43% | 659 |
| Sun, Apr 6, 2025 | $62,537 | -24.61% | 659 |
| Mon, Apr 7, 2025 | $30,897 | -50.59% | 659 |
| Tue, Apr 8, 2025 | $46,274 | + 49.77% | 659 |
| Wed, Apr 9, 2025 | $29,817 | -35.56% | 659 |
| Thu, Apr 10, 2025 | $12,157 | -59.23% | 659 |
| Fri, Apr 11, 2025 | $4,229 | -65.21% | 119 |
| Sat, Apr 12, 2025 | $7,593 | + 79.55% | 119 |
| Sun, Apr 13, 2025 | $5,811 | -23.47% | 119 |
| Mon, Apr 14, 2025 | $2,510 | -56.81% | 119 |
| Tue, Apr 15, 2025 | $3,354 | + 33.63% | 119 |
| Wed, Apr 16, 2025 | $3,686 | + 9.90% | 119 |
| Thu, Apr 17, 2025 | $2,545 | -30.95% | 119 |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Father Stu | Apr 13, 2022 | $4M |
| Spencer | Nov 4, 2021 | $18M |
| Professor Marston and the Wonder Women | Oct 13, 2017 | $7M |
| Joe Bell | Sep 14, 2020 | $4M |
| The Birth of a Nation | Sep 9, 2016 | $9M |
| Infinite Storm | Mar 25, 2022 | $5M |
| Rocketman | May 17, 2019 | $40M |
| Hands of Stone | Aug 26, 2016 | $20M |
Week 1: $403.89K
Week 2: $29.73K
Investor Share: $16.35K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $433.62K
Net: $258.68K
Costs: $0.00
Profit: $258.68K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.