Domestic Total: 8.72M
Opening Weekend: 5.91M
Legs: 1.48
Overview: Shortly before the 1973 Chilean coup, CIA agents Chris and Lee are dispatched from Santiago to Easter Island by their bureau chief, MJ. Amongst the Island's iconic statues, and as the longtime partners wrestle with their dark pasts and present conspiracies, Chris's newfound bond with a pair of rebellious students threatens to send everyone’s trip to this remote paradise sideways.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Nov 6, 2026 | $2,545,288 | + 0.00% | 1100 |
| Sat, Nov 7, 2026 | $2,019,350 | -20.66% | 1100 |
| Sun, Nov 8, 2026 | $1,341,772 | -33.55% | 1100 |
| Mon, Nov 9, 2026 | $566,532 | -57.78% | 1100 |
| Tue, Nov 10, 2026 | $877,003 | + 54.80% | 1100 |
| Wed, Nov 11, 2026 | $872,500 | -0.51% | 1100 |
| Thu, Nov 12, 2026 | $501,887 | -42.48% | 1100 |
| Name | Character |
|---|---|
| John Malkovich | Chris |
| Sam Rockwell | Lee |
| Steve Buscemi | MJ |
| Mariana di Girolamo | Monica |
| Ailín Salas | Alicia |
| Tom Waits | Jim |
| Parker Posey | Marge |
| Paola Giannini | Rosa |
| Samuel Wayt | Teenage Kid |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Bad Boys for Life | Jan 15, 2020 | $90M |
| Shaft | Jun 14, 2019 | $30M |
| The Nice Guys | May 15, 2016 | $50M |
| Widows | Nov 6, 2018 | $42M |
| Caught Stealing | Aug 26, 2025 | $40M |
| Gringo | Mar 8, 2018 | $10M |
| Ready or Not: Here I Come | Mar 19, 2026 | $14M |
| The Menu | Nov 17, 2022 | $35M |
Week 1: $8.72M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$6.63M (43.19%)
Investor Share: $2.32M
Budget: $N/A
P&A: $N/A
Gross: $15.36M
Net: $7.56M
Costs: $0.00
Profit: $7.56M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.