Domestic Total: 4.08M
Opening Weekend: 45.32K
Legs: 4.77
Overview: Lee, a former Western film icon, is living a comfortable existence lending his golden voice to advertisements and smoking weed. After receiving a lifetime achievement award and unexpected news, Lee reexamines his past, while a chance meeting with a sardonic comic has him looking to the future.
| Name | Character |
|---|---|
| Sam Elliott | Lee Hayden |
| Laura Prepon | Charlotte Dylan |
| Nick Offerman | Jeremy Frost |
| Krysten Ritter | Lucy Hayden |
| Katharine Ross | Valarie Hayden |
| Doug Cox | Doctor |
| Max Gail | Gary Babcock |
| Jackie Joyner | Betsy |
| Patrika Darbo | Diane |
| Ali Wong | Ali Wong |
| Frank Collison | Man in Dream |
| Andy Allo | Bartender |
| Cameron Esposito | Cameron Esposito |
| Linda Lee McBride | Linda |
| Christopher May | Director |
| Todd Giebenhain | Actor |
| Demetrios Saites | Paparazzi Cameraman |
| Norman De Buck | Bounty Hunter (uncredited) |
| Barbara Scolaro | Actress (uncredited) |
| Ryan Sweeney | Tennis Instructor (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| A Ghost Story | Apr 24, 2017 | $100K |
| A Bigger Splash | Nov 26, 2015 | $0 |
| American Honey | Sep 30, 2016 | $4M |
| Touched with Fire | Feb 12, 2016 | $0 |
| Captain Fantastic | Jul 8, 2016 | $5M |
| Swiss Army Man | Jun 24, 2016 | $3M |
| Louder Than Bombs | Oct 1, 2015 | $11M |
| Morris from America | Aug 19, 2016 | $0 |
Week 1: $59.89K
Week 2: $198.07K
Investor Share: $108.94K
Week 3+: $3.82M
Investor Share: $1.91M
$35.04K (0.85%)
Investor Share: $12.26K
Budget: $N/A
P&A: $N/A
Gross: $4.11M
Net: $2.07M
Costs: $0.00
Profit: $2.07M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.