Domestic Total: 2.78K
Opening Weekend: 2.2K
Legs: 1.26
Overview: Fabienne is a star; a star of French cinema. She reigns amongst men who love and admire her. When she publishes her memoirs, her daughter Lumir returns from New York to Paris with her husband and young child. The reunion between mother and daughter will quickly turn to confrontation: truths will be told, accounts settled, loves and resentments confessed.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jul 3, 2020 | $855 | + 0.00% | 10 |
| Sat, Jul 4, 2020 | $654 | -23.51% | 10 |
| Sun, Jul 5, 2020 | $691 | + 5.66% | 10 |
| Mon, Jul 6, 2020 | $56 | -91.90% | 10 |
| Tue, Jul 7, 2020 | $126 | + 125.00% | 10 |
| Wed, Jul 8, 2020 | $129 | + 2.38% | 10 |
| Thu, Jul 9, 2020 | $266 | + 106.20% | 10 |
| Name | Character |
|---|---|
| Catherine Deneuve | Fabienne Dangeville |
| Juliette Binoche | Lumir |
| Ethan Hawke | Hank |
| Clémentine Grenier | Charlotte |
| Manon Clavel | Manon |
| Alain Libolt | Luc |
| Christian Crahay | Jacques |
| Roger Van Hool | Pierre |
| Ludivine Sagnier | Anna |
| Laurent Capelluto | Journalist |
| Maya Sansa | N/A |
| Jackie Berroyer | Chef |
| Helmi Dridi | Fabienne's Driver |
| Sébastien Chassagne | Movie Director |
| Alexey Aygi | Musician |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Mia and the White Lion | Aug 2, 2018 | $10M |
| Climax | Sep 19, 2018 | $3M |
| A Bigger Splash | Nov 26, 2015 | $0 |
| Louder Than Bombs | Oct 1, 2015 | $11M |
| Mr. Holmes | Jun 19, 2015 | $11M |
| Once I Was a Beehive | Aug 14, 2015 | $0 |
| Leave No Trace | Jun 29, 2018 | $0 |
| My Cousin Rachel | Jun 8, 2017 | $0 |
Week 1: $2.78K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$5.14M (99.95%)
Investor Share: $1.8M
Budget: $N/A
P&A: $N/A
Gross: $5.14M
Net: $1.8M
Costs: $0.00
Profit: $1.8M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.