Domestic Total: 12.74M
Opening Weekend: 7.05M
Legs: 1.81
Overview: A lonely Frankenstein travels to 1930s Chicago to ask groundbreaking scientist Dr. Euphronious to create a companion for him. The two revive a murdered young woman and The Bride is born. But what ensues is beyond what either of them imagined.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 6, 2026 | $3,000,725 | + 0.00% | 3304 |
| Sat, Mar 7, 2026 | $2,501,443 | -16.64% | 3304 |
| Sun, Mar 8, 2026 | $1,549,308 | -38.06% | 3304 |
| Mon, Mar 9, 2026 | $508,762 | -67.16% | 3304 |
| Tue, Mar 10, 2026 | $791,574 | + 55.59% | 3304 |
| Wed, Mar 11, 2026 | $496,813 | -37.24% | 3304 |
| Thu, Mar 12, 2026 | $376,141 | -24.29% | 3304 |
| Fri, Mar 13, 2026 | $651,726 | + 73.27% | 3304 |
| Sat, Mar 14, 2026 | $885,081 | + 35.81% | 3304 |
| Sun, Mar 15, 2026 | $551,375 | -37.70% | 3304 |
| Mon, Mar 16, 2026 | $223,766 | -59.42% | 3304 |
| Tue, Mar 17, 2026 | $330,364 | + 47.64% | 3304 |
| Wed, Mar 18, 2026 | $270,687 | -18.06% | 3304 |
| Thu, Mar 19, 2026 | $130,253 | -51.88% | 3304 |
| Fri, Mar 20, 2026 | $85,312 | -34.50% | 708 |
| Sat, Mar 21, 2026 | $115,107 | + 34.92% | 708 |
| Sun, Mar 22, 2026 | $85,089 | -26.08% | 708 |
| Mon, Mar 23, 2026 | $34,878 | -59.01% | 708 |
| Tue, Mar 24, 2026 | $43,703 | + 25.30% | 708 |
| Wed, Mar 25, 2026 | $38,051 | -12.93% | 708 |
| Thu, Mar 26, 2026 | $22,283 | -41.44% | 708 |
| Fri, Mar 27, 2026 | $11,103 | -50.17% | 94 |
| Sat, Mar 28, 2026 | $15,079 | + 35.81% | 94 |
| Sun, Mar 29, 2026 | $11,236 | -25.49% | 94 |
| Mon, Mar 30, 2026 | $5,168 | -54.00% | 94 |
| Tue, Mar 31, 2026 | $6,126 | + 18.54% | 94 |
| Wed, Apr 1, 2026 | $1,581 | -74.19% | 94 |
| Thu, Apr 2, 2026 | $1,291 | -18.34% | 94 |
| Name | Character |
|---|---|
| Jessie Buckley | Ida / The Bride/ Mary Shelley |
| Christian Bale | Frank |
| Jake Gyllenhaal | Ronnie Reed |
| Annette Bening | Dr. Cornelia Euphronious |
| Peter Sarsgaard | Det. Jake Willes |
| Penélope Cruz | Myrna |
| Jeannie Berlin | Greta |
| John Magaro | N/A |
| Julianne Hough | N/A |
| Louis Cancelmi | N/A |
| Linda Emond | N/A |
| Matthew Maher | N/A |
| Stephanie Troyak | N/A |
| William Hill | Chicago Police Sergeant |
| Massiel Mordan | Mable |
| Karin Dreijer | N/A |
| Zlatko Burić | Lupino |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Mickey 17 | Feb 28, 2025 | $118M |
| The Invisible Man | Feb 26, 2020 | $7M |
| The Running Man | Nov 11, 2025 | $110M |
| Alien: Romulus | Aug 13, 2024 | $80M |
| Nope | Jul 20, 2022 | $68M |
| Sinners | Apr 16, 2025 | $90M |
| The Monkey | Feb 14, 2025 | $10M |
| The Front Room | Sep 5, 2024 | $4M |
Week 1: $9.22M
Week 2: $3.04M
Investor Share: $1.67M
Week 3+: $476.01K
Investor Share: $238K
$10.7M (45.64%)
Investor Share: $3.74M
Budget: $80M
P&A: $80M
Gross: $23.44M
Net: $11.19M
Costs: $160M
Profit: $-148.81M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.