Domestic Total: 503.38K
Opening Weekend: 322.48K
Legs: 1.56
Overview: A journalist and her son's pregnant girlfriend attempt to track down those responsible for the murder of her estranged son. Together, they confront a world of drugs and corruption in the underbelly of their small city in upstate New York, where they uncover an even darker secret.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Sep 1, 2023 | $112,485 | + 0.00% | 423 |
| Sat, Sep 2, 2023 | $108,399 | -3.63% | 423 |
| Sun, Sep 3, 2023 | $101,600 | -6.27% | 423 |
| Mon, Sep 4, 2023 | $79,927 | -21.33% | 423 |
| Tue, Sep 5, 2023 | $44,381 | -44.47% | 423 |
| Wed, Sep 6, 2023 | $35,731 | -19.49% | 423 |
| Thu, Sep 7, 2023 | $20,855 | -41.63% | 423 |
| Name | Character |
|---|---|
| Hilary Swank | Marissa Bennings |
| Olivia Cooke | Paige |
| Jack Reynor | Toby |
| Dilone | Dina |
| Hopper Penn | Ducky |
| Norm Lewis | Jim |
| Karen Aldridge | Laurie |
| Larry Fessenden | Gary |
| Frank Alfano | Figure |
| Laurent Rejto | Chip |
| Nate Francis | John |
| Mikayla Schaefer | Diane |
| Cliff Ware | Grandpa Jack |
| Emily Latzko | Baby Section Shopper |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Gone in the Night | Jul 15, 2022 | $0 |
| All I See Is You | Aug 10, 2017 | $30M |
| Dreamland | Nov 27, 2019 | $0 |
| Regression | Oct 1, 2015 | $20M |
| The Wall | May 12, 2017 | $3M |
| Cop Car | Jul 8, 2015 | $800K |
| An Acceptable Loss | Jan 18, 2019 | $0 |
| Thoroughbreds | Mar 9, 2018 | $0 |
Week 1: $503.38K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$49.8K (9.00%)
Investor Share: $17.43K
Budget: $N/A
P&A: $N/A
Gross: $553.18K
Net: $319.46K
Costs: $0.00
Profit: $319.46K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.