Domestic Total: 420.9K
Opening Weekend: 0.00
Legs: 1.17
Overview: When a mutating, highly contagious fungus escapes a sealed facility, two young employees – joined by a grizzled bioterror operative – must survive the wildest night shift ever to save humanity from extinction.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Feb 16, 2026 | $140,948 | + 0.00% | 1041 |
| Tue, Feb 17, 2026 | $122,931 | -12.78% | 1041 |
| Wed, Feb 18, 2026 | $94,988 | -22.73% | 1041 |
| Thu, Feb 19, 2026 | $62,032 | -34.69% | 1041 |
| Name | Character |
|---|---|
| Georgina Campbell | Naomi Williams |
| Joe Keery | Travis 'Teacake' Meacham |
| Liam Neeson | Robert Quinn |
| Lesley Manville | Trini Romano |
| Sosie Bacon | Dr. Hero Martins |
| Vanessa Redgrave | Ma Rooney |
| Richard Brake | Jerabek |
| Aaron Heffernan | Mike |
| Ellora Torchia | Abigail |
| Rob Collins | Enos Minjarra |
| Justin Salinger | Dr. Friedman |
| Gavin Spokes | Griffin |
| Andrew Brooke | Ironhead |
| Darrell D'Silva | The Rev |
| Lujza Richter | Garbage |
| Nahel Tzegai | Cuba |
| Daniel Rigby | Anthony |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Blade Runner 2049 | Oct 4, 2017 | $150M |
| The Monkey | Feb 14, 2025 | $10M |
| The Blackening | Jun 15, 2023 | $5M |
| The Front Room | Sep 5, 2024 | $4M |
| The Long Walk | Sep 10, 2025 | $20M |
| Bridget Jones's Baby | Sep 14, 2016 | $35M |
| Good Luck, Have Fun, Don't Die | Feb 13, 2026 | $20M |
| Annihilation | Feb 22, 2018 | $40M |
Week 1: $420.9K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$559.4K (57.06%)
Investor Share: $195.79K
Budget: $N/A
P&A: $N/A
Gross: $980.3K
Net: $448.33K
Costs: $0.00
Profit: $448.33K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.