Movie Information
Domestic Total: 23K
Opening Weekend: 23K
Legs: 1.00
Overview: A 21-year old construction worker in rural New Mexico joins a community of queer ranchers and rodeo performers in search of their own version of the American dream.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jul 12, 2024 | $23,000 | + 0.00% | 4 |
Cast
| Name | Character |
|---|---|
| Charlie Plummer | Dylan |
| Eve Lindley | Sky |
| Rene Rosado | Pepe |
| Mason Alexander Park | Carrie |
| Robyn Lively | Fiona |
| Joey DeLeon | Cassidy |
| Lee Knight | Lee |
| Fernando Casablancas | Levi |
| Alexander Alayon Jr. | Road Worker |
| Mark Sivertsen | Rick |
| Kalorie Karbdashian-Williams | Charlene |
| James Louis Cady | Jimmy |
| D'Angelo Lacy | National Anthem Singer |
| Kimberley Christann Pember | Fiona's Friend |
| Rocko Reyes | Day Laborer |
| Nicki Starr | Mistress of Ceremonies |
| Calvin 'Brandi' Fields | Temple |
| Delia Rawdon | Looper (uncredited) |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Morris from America | Aug 19, 2016 | $0 |
| Lucy in the Sky | Sep 20, 2019 | $0 |
| A Bigger Splash | Nov 26, 2015 | $0 |
| American Skin | Sep 1, 2019 | $5M |
| Kajillionaire | Sep 25, 2020 | $0 |
| Touched with Fire | Feb 12, 2016 | $0 |
| Swiss Army Man | Jun 24, 2016 | $3M |
| Captain Fantastic | Jul 8, 2016 | $5M |
Profitability Breakdown
Domestic
Week 1: $23K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $23K
Net: $13.8K
Costs: $0.00
Profit
Profit: $13.8K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
