Movie Information
Domestic Total: 4.05M
Opening Weekend: 2.38M
Legs: 1.79
Overview: A scientist becomes obsessed with returning his family to normalcy after a terrible accident.
TMDB
IMDB
Metacritic
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Jan 10, 2019 | $200,100 | + 0.00% | 1630 |
| Fri, Jan 11, 2019 | $933,517 | + 366.53% | 2329 |
| Sat, Jan 12, 2019 | $866,412 | -7.19% | 2329 |
| Sun, Jan 13, 2019 | $575,396 | -33.59% | 2329 |
| Mon, Jan 14, 2019 | $211,305 | -63.28% | 2329 |
| Tue, Jan 15, 2019 | $319,235 | + 51.08% | 2329 |
| Wed, Jan 16, 2019 | $185,003 | -42.05% | 2329 |
| Thu, Jan 17, 2019 | $135,005 | -27.03% | 2329 |
| Fri, Jan 18, 2019 | $125,709 | -6.89% | 2059 |
| Sat, Jan 19, 2019 | $178,984 | + 42.38% | 2059 |
| Sun, Jan 20, 2019 | $134,678 | -24.75% | 2059 |
| Mon, Jan 21, 2019 | $101,933 | -24.31% | 2059 |
| Tue, Jan 22, 2019 | $81,698 | -19.85% | 2059 |
| Wed, Jan 23, 2019 | $57,720 | -29.35% | 2059 |
| Thu, Jan 24, 2019 | $51,527 | -10.73% | 2059 |
| Fri, Jan 25, 2019 | $9,485 | -81.59% | 84 |
| Sat, Jan 26, 2019 | $14,476 | + 52.62% | 84 |
| Sun, Jan 27, 2019 | $10,123 | -30.07% | 84 |
| Mon, Jan 28, 2019 | $2,869 | -71.66% | 84 |
| Tue, Jan 29, 2019 | $3,717 | + 29.56% | 84 |
| Wed, Jan 30, 2019 | $2,845 | -23.46% | 84 |
| Thu, Jan 31, 2019 | $3,135 | + 10.19% | 84 |
| Fri, Feb 1, 2019 | $4,583 | + 46.19% | 51 |
| Sat, Feb 2, 2019 | $8,694 | + 89.70% | 51 |
| Sun, Feb 3, 2019 | $3,648 | -58.04% | 51 |
| Mon, Feb 4, 2019 | $2,029 | -44.38% | 51 |
| Tue, Feb 5, 2019 | $2,032 | + 0.15% | 51 |
| Wed, Feb 6, 2019 | $1,811 | -10.88% | 51 |
| Thu, Feb 7, 2019 | $1,573 | -13.14% | 51 |
| Fri, Feb 8, 2019 | $2,107 | + 33.95% | 29 |
| Sat, Feb 9, 2019 | $3,749 | + 77.93% | 29 |
| Sun, Feb 10, 2019 | $2,926 | -21.95% | 29 |
| Mon, Feb 11, 2019 | $780 | -73.34% | 29 |
| Tue, Feb 12, 2019 | $894 | + 14.62% | 29 |
| Wed, Feb 13, 2019 | $690 | -22.82% | 29 |
| Thu, Feb 14, 2019 | $1,547 | + 124.20% | 29 |
| Fri, Feb 15, 2019 | $698 | -54.88% | 12 |
| Sat, Feb 16, 2019 | $1,303 | + 86.68% | 12 |
| Sun, Feb 17, 2019 | $1,124 | -13.74% | 12 |
| Mon, Feb 18, 2019 | $596 | -46.98% | 12 |
| Tue, Feb 19, 2019 | $277 | -53.52% | 12 |
| Wed, Feb 20, 2019 | $255 | -7.94% | 12 |
| Thu, Feb 21, 2019 | $341 | + 33.73% | 12 |
Cast
| Name | Character |
|---|---|
| Keanu Reeves | William Foster |
| Alice Eve | Mona Foster |
| Thomas Middleditch | Ed Whittle |
| John Ortiz | Jones |
| Nyasha Hatendi | Scott |
| Aria Lyric Leabu | Zoe Foster |
| Emily Alyn Lind | Sophie Foster |
| Emjay Anthony | Matt Foster |
| Amber Rivera | Margaret |
| Jeffrey Holsman | Blue Eyes |
| Jonathan Dwayne | Security Guard #2 |
| Luis Gonzaga | Officer Pérez |
| Andres Ramos | Officer Rodríguez |
| Sunshine Logroño | Héctor |
| Angela Alvarado | Ms. Barnes |
| Valentín Ramírez | Sheik Bin Ouissam |
| Nicole Colón | Ouissam's Coordinator |
| Brendan Clack | Security Guard #1 |
| Leo Álvarez | Security Guard #6 |
| Amber Townsend | Lab Tech |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Victor Frankenstein | Nov 10, 2015 | $40M |
| The Circle | Apr 27, 2017 | $18M |
| Self/less | Jul 10, 2015 | $26M |
| 10 Cloverfield Lane | Mar 10, 2016 | $15M |
| Hotel Artemis | Jun 7, 2018 | $15M |
| Morgan | Sep 1, 2016 | $8M |
| Passengers | Dec 21, 2016 | $110M |
| The Space Between Us | Jan 26, 2017 | $30M |
Profitability Breakdown
Domestic
Week 1: $3.29M
Week 2: $815.73K
Investor Share: $448.65K
Week 3+: $139.83K
Investor Share: $69.92K
International
$4.99M (54.03%)
Investor Share: $1.75M
Costs
Budget: $30M
P&A: $30M
Breakdown
Gross: $9.04M
Net: $4.24M
Costs: $60M
Profit
Profit: $-55.76M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
