
Domestic Total: 13.76K
Opening Weekend: 0.00
Legs: 1.22
Overview: This feature-length documentary explores the life of singer-songwriter Leonard Cohen as seen through the prism of his internationally renowned hymn, Hallelujah.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Jul 4, 2022 | $4,657 | + 0.00% | 3 |
| Tue, Jul 5, 2022 | $2,465 | -47.07% | 3 |
| Wed, Jul 6, 2022 | $2,927 | + 18.74% | 3 |
| Thu, Jul 7, 2022 | $3,713 | + 26.85% | 3 |
| Name | Character |
|---|---|
| Leonard Cohen | Self |
| Larry Sloman | Self |
| Adrienne Clarkson | Self |
| Judy Collins | Self |
| Clive Davis | Self |
| John Lissauer | Self |
| Nancy Bacal | Self |
| Rabbi Mordecai Finley | Self |
| Sharon Robinson | Self |
| Glen Hansard | Self |
| Bob Dylan | Self |
| John Cale | Self |
| Brandi Carlile | Self |
| Myles Kennedy | Self |
| Susan Feldman | Self |
| Janine Nichols | Self |
| Hal Willner | Self |
| Shane Doyle | Self |
| Steve Berkowitz | Self |
| Joan Wasser | Self |
| Vicky Jenson | Self |
| Rufus Wainwright | Self |
| Bathabile Mthombeni | Self |
| Eric Church | Self |
| Amanda Palmer | Self |
| Regina Spektor | Self |
| Jeff Buckley | Self (archive footage) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| Echo in the Canyon | May 24, 2019 | $0 |
| Pavarotti | Jun 4, 2019 | $0 |
| The Jesus Music | Oct 1, 2021 | $0 |
| Whitney | Jul 5, 2018 | $0 |
| Free Solo | Sep 28, 2018 | $0 |
| Becoming Cousteau | Oct 22, 2021 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
Week 1: $13.76K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$640K (97.89%)
Investor Share: $224K
Budget: $N/A
P&A: $N/A
Gross: $653.76K
Net: $232.26K
Costs: $0.00
Profit: $232.26K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.