Domestic Total: 2.57M
Opening Weekend: 0.00
Legs: 1.00
Overview: A fascinating new look at the biblical, historical, and scientific evidence for Creation and the Flood. Learn from more than a dozen scientists and scholars as they explore the world around us in light of Genesis. Dr. Del Tackett, creator of The Truth Project, hikes through canyons, climbs up mountains, and dives below the sea in an exploration of two competing views... one compelling truth.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Feb 23, 2017 | $1,712,472 | + 0.00% | 708 |
| Thu, Mar 2, 2017 | $357,543 | -79.12% | 732 |
| Tue, Mar 7, 2017 | $500,340 | + 39.94% | 714 |
| Name | Character |
|---|---|
| Del Tackett | Himself |
| Steve Austin PhD | Himself |
| Steve Boyd PhD | Himself |
| Robert Carter PhD | Himself |
| Arthur Chadwick PhD | Himself |
| Danny Faulkner PhD | Himself |
| Dr. George Grant | Himself |
| Paul Nelson PhD | Himself |
| Douglas Petrovich PhD | Himself |
| Marcus Ross PhD | Himself |
| Andrew Snelling | Himself |
| Kurt Wise PhD | Himself |
| Todd Wood PhD | Himself |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| Gleason | Jul 30, 2016 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Rat Film | Aug 10, 2016 | $0 |
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| Trophy | Jan 20, 2017 | $0 |
| Supersonic | Oct 2, 2016 | $0 |
Week 1: $2.57M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $2.57M
Net: $1.54M
Costs: $0.00
Profit: $1.54M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.