Domestic Total: 4.14K
Opening Weekend: 2.77K
Legs: 1.50
Overview: In a bleak Inverness midwinter, Luisaidh is careening off the rails after the suicide of her best friend. She medicates her misery with joyless sex, chips and a belief in the power of positive drinking. Surrounded by bittersweet memories, she struggles to find someone to talk to or some reason to make life worthwhile at the most stressful time of the year.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Dec 7, 2018 | $1,268 | + 0.00% | 10 |
| Sat, Dec 8, 2018 | $888 | -29.97% | 10 |
| Sun, Dec 9, 2018 | $614 | -30.86% | 10 |
| Mon, Dec 10, 2018 | $465 | -24.27% | 10 |
| Tue, Dec 11, 2018 | $271 | -41.72% | 10 |
| Wed, Dec 12, 2018 | $373 | + 37.64% | 10 |
| Thu, Dec 13, 2018 | $266 | -28.69% | 10 |
| Name | Character |
|---|---|
| Karen Gillan | Luisaidh |
| Lee Pace | Dale |
| Matthew Beard | Alistair |
| Paul Higgins | Luisaidh's Dad |
| Siobhan Redmond | Luisaidh's Mum |
| Jamie Quinn | Ben |
| Rachel Jackson | Donna |
| Niall Greig Fulton | Mortadella Man |
| Ralph Riach | N/A |
| Daniela Nardini | N/A |
| Paul Tinto | Peter |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Other People | Sep 9, 2016 | $0 |
| Outside In | Mar 30, 2018 | $0 |
| Swiss Army Man | Jun 24, 2016 | $3M |
| Once I Was a Beehive | Aug 14, 2015 | $0 |
| Miss Stevens | Sep 16, 2016 | $0 |
| Donald Cried | Mar 3, 2017 | $0 |
| Beatriz at Dinner | Jun 9, 2017 | $0 |
| Duck Butter | Apr 27, 2018 | $0 |
Week 1: $4.14K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$226.00 (5.17%)
Investor Share: $79.10
Budget: $N/A
P&A: $N/A
Gross: $4.37K
Net: $2.57K
Costs: $0.00
Profit: $2.57K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.