Domestic Total: 1.34M
Opening Weekend: 60.75K
Legs: 8.96
Overview: Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories real and imagined fill the gaps between miniDV footage as she tries to reconcile the father she knew with the man she didn't.
| Name | Character |
|---|---|
| Paul Mescal | Calum |
| Frankie Corio | Sophie |
| Brooklyn Toulson | Michael |
| Celia Rowlson-Hall | Adult Sophie |
| Sally Messham | Belinda |
| Ayşe Parlak | Teen Girl 1 |
| Sophia Lamanova | Teen Girl 2 |
| Spike Fearn | Olly |
| Harry Perdios | Toby |
| Frank Corio | Ocean Park Father |
| Ruby Thompson | Laura |
| Ethan James Smith | Scott |
| Onur Ekşioğlu | Onur |
| Cafer Karahan | Carpet Salesman |
| Kayleigh Coleman | Jane |
| John Stuifzand | Resort Entertainer |
| Tyler Mutlu | Ocean Park Hotel Tour Rep |
| Kieran Burton | Alex |
| Nijat Gachayev | Turk Hotel Receptionist |
| Sarah Makharine | Adult Sophie's Partner |
| Erol Cengizalp | Man with Camera |
| Djamel Turner | Raver (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Souvenir | May 17, 2019 | $0 |
| The Forgiven | Jul 1, 2022 | $0 |
| Beatriz at Dinner | Jun 9, 2017 | $0 |
| The Only Living Boy in New York | Jul 27, 2017 | $0 |
| Limbo | Sep 28, 2020 | $0 |
| The Florida Project | Oct 6, 2017 | $2M |
| American Honey | Sep 30, 2016 | $4M |
| Resurrection | Jul 29, 2022 | $0 |
Week 1: $90.79K
Week 2: $121.47K
Investor Share: $66.81K
Week 3+: $1.13M
Investor Share: $563.01K
$8.09M (85.81%)
Investor Share: $2.83M
Budget: $N/A
P&A: $N/A
Gross: $9.43M
Net: $3.52M
Costs: $0.00
Profit: $3.52M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.