Domestic Total: 2.61M
Opening Weekend: 130.05K
Legs: 3.61
Overview: Set in 1889 France, Dodin Bouffant is a chef living with his personal cook and lover Eugénie. They share a long history of gastronomy and love but Eugénie refuses to marry Dodin, so the food lover decides to do something he has never done before: cook for her.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Feb 9, 2024 | $39,778 | + 0.00% | 3 |
| Sat, Feb 10, 2024 | $47,728 | + 19.99% | 3 |
| Sun, Feb 11, 2024 | $42,544 | -10.86% | 3 |
| Mon, Feb 12, 2024 | $5,664 | -86.69% | 3 |
| Tue, Feb 13, 2024 | $3,890 | -31.32% | 3 |
| Wed, Feb 14, 2024 | $236,486 | + 5979.33% | 550 |
| Thu, Feb 15, 2024 | $82,933 | -64.93% | 550 |
| Fri, Feb 16, 2024 | $158,482 | + 91.10% | 505 |
| Sat, Feb 17, 2024 | $263,561 | + 66.30% | 505 |
| Sun, Feb 18, 2024 | $224,769 | -14.72% | 505 |
| Mon, Feb 19, 2024 | $132,454 | -41.07% | 505 |
| Tue, Feb 20, 2024 | $90,440 | -31.72% | 505 |
| Wed, Feb 21, 2024 | $84,882 | -6.15% | 505 |
| Thu, Feb 22, 2024 | $63,892 | -24.73% | 505 |
| Fri, Feb 23, 2024 | $84,469 | + 32.21% | 375 |
| Sat, Feb 24, 2024 | $144,802 | + 71.43% | 375 |
| Sun, Feb 25, 2024 | $114,480 | -20.94% | 375 |
| Mon, Feb 26, 2024 | $38,674 | -66.22% | 375 |
| Tue, Feb 27, 2024 | $44,249 | + 14.42% | 375 |
| Wed, Feb 28, 2024 | $46,398 | + 4.86% | 375 |
| Thu, Feb 29, 2024 | $36,367 | -21.62% | 375 |
| Fri, Mar 1, 2024 | $43,108 | + 18.54% | 165 |
| Sat, Mar 2, 2024 | $91,229 | + 111.63% | 165 |
| Sun, Mar 3, 2024 | $62,072 | -31.96% | 165 |
| Mon, Mar 4, 2024 | $21,214 | -65.82% | 165 |
| Tue, Mar 5, 2024 | $26,338 | + 24.15% | 165 |
| Wed, Mar 6, 2024 | $26,271 | -0.25% | 165 |
| Thu, Mar 7, 2024 | $23,304 | -11.29% | 165 |
| Fri, Mar 8, 2024 | $31,107 | + 33.48% | 132 |
| Sat, Mar 9, 2024 | $58,250 | + 87.26% | 132 |
| Sun, Mar 10, 2024 | $28,231 | -51.53% | 132 |
| Mon, Mar 11, 2024 | $16,849 | -40.32% | 132 |
| Tue, Mar 12, 2024 | $22,212 | + 31.83% | 132 |
| Wed, Mar 13, 2024 | $14,042 | -36.78% | 132 |
| Thu, Mar 14, 2024 | $11,241 | -19.95% | 132 |
| Fri, Mar 15, 2024 | $11,820 | + 5.15% | 75 |
| Sat, Mar 16, 2024 | $23,394 | + 97.92% | 75 |
| Sun, Mar 17, 2024 | $17,002 | -27.32% | 75 |
| Fri, Mar 22, 2024 | $10,180 | -40.12% | 70 |
| Sat, Mar 23, 2024 | $15,851 | + 55.71% | 70 |
| Sun, Mar 24, 2024 | $14,163 | -10.65% | 70 |
| Mon, Mar 25, 2024 | $4,875 | -65.58% | 70 |
| Tue, Mar 26, 2024 | $4,684 | -3.92% | 70 |
| Wed, Mar 27, 2024 | $5,504 | + 17.51% | 70 |
| Thu, Mar 28, 2024 | $4,741 | -13.86% | 70 |
| Fri, Mar 29, 2024 | $6,936 | + 46.30% | 41 |
| Sat, Mar 30, 2024 | $11,674 | + 68.31% | 41 |
| Sun, Mar 31, 2024 | $7,162 | -38.65% | 41 |
| Mon, Apr 1, 2024 | $3,646 | -49.09% | 41 |
| Tue, Apr 2, 2024 | $1,915 | -47.48% | 41 |
| Wed, Apr 3, 2024 | $3,236 | + 68.98% | 41 |
| Thu, Apr 4, 2024 | $4,897 | + 51.33% | 41 |
| Name | Character |
|---|---|
| Benoît Magimel | Dodin Bouffant |
| Juliette Binoche | Eugénie |
| Patrick d'Assumçao | Grimaud |
| Emmanuel Salinger | Rabaz |
| Jan Hammenecker | Magot |
| Frédéric Fisbach | Beaubois |
| Galatea Bellugi | Violette |
| Pierre Gagnaire | Küchenchef des Prinzen |
| Bonnie Chagneau-Ravoire | Pauline |
| Yannik Landrein | Père de Pauline |
| Sarah Adler | Mère de Pauline |
| Jean-Marc Roulot | Augustin |
| Mhamed Arezki | Le Prince |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Wonder Wheel | Dec 1, 2017 | $25M |
| Sing Street | Mar 11, 2016 | $4M |
| Cold War | Jun 8, 2018 | $5M |
| By the Sea | Nov 12, 2015 | $10M |
| Corsage | Jul 7, 2022 | $8M |
| Benedetta | Jul 9, 2021 | $24M |
| Cyrano, My Love | Nov 10, 2018 | $9M |
| Aline | Nov 19, 2020 | $26M |
Week 1: $459.02K
Week 2: $1.02M
Investor Share: $560.16K
Week 3+: $1.14M
Investor Share: $568.29K
$5.01M (65.69%)
Investor Share: $1.75M
Budget: $7M
P&A: $7M
Gross: $7.62M
Net: $3.16M
Costs: $13M
Profit: $-9.84M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.