Movie Information
Domestic Total: 115.46K
Opening Weekend: 0.00
Legs: 1.00
Overview: Through never-been-seen-before footage and fascinating interviews with key members of the 1985 Chicago Bears -- Mike Ditka, Jim McMahon, Mike Singletary, and others -- you will hear the inside story of their historic season.
TMDB
IMDB
Metacritic
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Jan 29, 2018 | $115,463 | + 0.00% | 199 |
Cast
| Name | Character |
|---|---|
| Mike Ditka | Self |
| Jim McMahon | Self |
| Mike Singletary | Self |
| Steve McMichael | Self |
| Willie Gault | Self |
| Dan Hampton | Self |
| Otis Wilson | Self |
| Jeremy Piven | Self |
| Bill Murray | Self |
| George Wendt | Self |
| Bill Kurtis | Self |
| Jesse Jackson | Self |
| Rahm Emanuel | Self |
| Ike Barinholtz | Self |
| Michael Wilbon | Self |
| Phil Simms | Self |
| Robert Smigel | Self |
| David Stassen | Self |
| Rick Telander | Self |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| Rat Film | Aug 10, 2016 | $0 |
| Elvis & Nixon | Mar 22, 2016 | $5M |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| Free State of Jones | Jun 24, 2016 | $50M |
| Eddie the Eagle | Feb 25, 2016 | $23M |
Profitability Breakdown
Domestic
Week 1: $115.46K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $650K
P&A: $650K
Breakdown
Gross: $115.46K
Net: $69.28K
Costs: $1.3M
Profit
Profit: $-1.23M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.