Domestic Total: 4.17K
Opening Weekend: 2.64K
Legs: 1.58
Overview: Widowed mother Holly is radically tested when her teenage daughter Betsey experiences a profound enlightenment and insists that her body is no longer her own, but in service to a higher power. Bound to her newfound faith, Betsey refuses to eat but loses no weight. In an agonizing dilemma, torn between love and fear, Holly is forced to confront the boundaries of her own beliefs.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Feb 18, 2022 | $729 | + 0.00% | 33 |
| Sat, Feb 19, 2022 | $977 | + 34.02% | 33 |
| Sun, Feb 20, 2022 | $935 | -4.30% | 33 |
| Mon, Feb 21, 2022 | $507 | -45.78% | 33 |
| Tue, Feb 22, 2022 | $310 | -38.86% | 33 |
| Wed, Feb 23, 2022 | $446 | + 43.87% | 33 |
| Thu, Feb 24, 2022 | $263 | -41.03% | 33 |
| Name | Character |
|---|---|
| Sienna Guillory | Holly |
| Jessica Alexander | Betsey |
| Ruby Stokes | Isabelle |
| Lindsay Duncan | June |
| Kaine Zajaz | Dominic |
| Richard Keep | Jason |
| Rina Mahoney | Sarah |
| Deka Walmsley | Doctor |
| Walter van Dyk | Dentist |
| Andrew Steele | Clinic Manager |
| Jonathan Nyati | Careers Advisor |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Mandy | Sep 13, 2018 | $6M |
| The Dead Center | Oct 11, 2019 | $0 |
| Safer at Home | Feb 26, 2021 | $0 |
| The Basement | Sep 14, 2018 | $0 |
| Super Dark Times | Sep 29, 2017 | $0 |
| Regression | Oct 1, 2015 | $20M |
| Relic | Jul 3, 2020 | $1M |
| The Wedding Guest | Mar 1, 2019 | $0 |
Week 1: $4.17K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$3.32K (44.36%)
Investor Share: $1.16K
Budget: $N/A
P&A: $N/A
Gross: $7.49K
Net: $3.66K
Costs: $0.00
Profit: $3.66K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.