Movie Information
Domestic Total: 6.29K
Opening Weekend: 3.96K
Legs: 1.59
Overview: Stuart is a having a mid-life crisis. Desperate for something more in life, he tags along on his best friend's family vacation to Paris - then proposes to his friend's 24-year-old daughter, Rosalind, while standing under the Eiffel Tower.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Feb 8, 2019 | $1,010 | + 0.00% | 11 |
| Sat, Feb 9, 2019 | $1,723 | + 70.59% | 11 |
| Sun, Feb 10, 2019 | $1,224 | -28.96% | 11 |
| Mon, Feb 11, 2019 | $567 | -53.68% | 11 |
| Tue, Feb 12, 2019 | $471 | -16.93% | 11 |
| Wed, Feb 13, 2019 | $444 | -5.73% | 11 |
| Thu, Feb 14, 2019 | $852 | + 91.89% | 11 |
Cast
| Name | Character |
|---|---|
| Matt Walsh | Stuart |
| Judith Godrèche | Louise |
| Reid Scott | Liam |
| Michaela Watkins | Tillie |
| David Wain | Frank |
| Dylan Gelula | Rosalind |
| Gary Cole | Gerard |
| Ary Abittan | Frederic |
| Morgan Walsh | Sharron |
| Avant Strangel | David - VP of Sales |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Duck Butter | Apr 27, 2018 | $0 |
| Katti Batti | Sep 18, 2015 | $0 |
| The Lovers | May 5, 2017 | $0 |
| We Love You, Sally Carmichael! | Aug 4, 2017 | $0 |
| Let the Sunshine In | Sep 27, 2017 | $3M |
| Dilwale | Dec 18, 2015 | $26M |
| A Snow White Christmas | Dec 9, 2018 | $0 |
| The Wedding Party 2: Destination Dubai | Dec 15, 2017 | $0 |
Profitability Breakdown
Domestic
Week 1: $6.29K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $6.29K
Net: $3.77K
Costs: $0.00
Profit
Profit: $3.77K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
