Domestic Total: 796.00
Opening Weekend: 0.00
Legs: 1.00
Overview: The 100-year story of the iconic restaurant chain Horn & Hardart, the inspiration for Starbucks, where generations of Americans ate and drank coffee together at communal tables. From the perspective of former customers, we watch a business climb to its peak success and then grapple with fast food in a forever changed America.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, May 30, 2022 | $796 | + 0.00% | 3 |
| Name | Character |
|---|---|
| Mel Brooks | Self |
| John W. Romas | Self |
| Carl Reiner | Self |
| Krystyna Romas | Self |
| Alec Shuldiner | Self |
| Wilson Goode | Self |
| Elliott Gould | Self |
| Howard Schultz | Self |
| Norris Horn | Self |
| Steve Stollman | Self |
| Roy Rosenbaum | Self |
| Marianne Hardart | Self |
| Lorraine Diehl | Self |
| Lisa Keller | Self |
| Edwin K. Daly Jr. | Self |
| Bill Romas | Self |
| Ruth Bader Ginsburg | Self |
| Colin Powell | Self |
| Paul Hardart | Self |
| Apache Ramos | Self |
| Ron Barrett | Self |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Citizen K | Dec 13, 2019 | $0 |
| Making Waves: The Art of Cinematic Sound | Oct 25, 2019 | $0 |
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| No Greater Love | Nov 10, 2017 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Trophy | Jan 20, 2017 | $0 |
| Risk | May 5, 2017 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
Week 1: $796.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $796.00
Net: $477.60
Costs: $0.00
Profit: $477.60
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.