
Domestic Total: 5.47K
Opening Weekend: 4.08K
Legs: 1.34
Overview: In this sequel to "Freshman Year (2019)", CJ and Marcella struggle to protect their relationship against the rising tide of pressure from family, faith, and friends when a devastating discovery upends their lives.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Sep 29, 2023 | $1,675 | + 0.00% | 21 |
| Sat, Sep 30, 2023 | $1,700 | + 1.49% | 21 |
| Sun, Oct 1, 2023 | $700 | -58.82% | 21 |
| Mon, Oct 2, 2023 | $300 | -57.14% | 21 |
| Tue, Oct 3, 2023 | $300 | + 0.00% | 21 |
| Wed, Oct 4, 2023 | $200 | -33.33% | 21 |
| Thu, Oct 5, 2023 | $185 | -7.50% | 21 |
| Fri, Oct 6, 2023 | $65 | -64.86% | 3 |
| Sat, Oct 7, 2023 | $90 | + 38.46% | 3 |
| Sun, Oct 8, 2023 | $55 | -38.89% | 3 |
| Mon, Oct 9, 2023 | $30 | -45.45% | 3 |
| Tue, Oct 10, 2023 | $65 | + 116.67% | 2 |
| Wed, Oct 11, 2023 | $55 | -15.38% | 2 |
| Thu, Oct 12, 2023 | $50 | -9.09% | 2 |
| Name | Character |
|---|---|
| Heidi Montag | N/A |
| Vernon Davis | N/A |
| Denise Boutte | N/A |
| Asia'h Epperson | N/A |
| Benjamin Ochieng | N/A |
| Diallo Thompson | N/A |
| Natalia Dominguez | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Faith of Our Fathers | Jul 1, 2015 | $0 |
| Lucy in the Sky | Sep 20, 2019 | $0 |
| The Sound of Violet | Apr 29, 2022 | $0 |
| Counter Column | May 21, 2021 | $0 |
| Photograph | Mar 15, 2019 | $0 |
| Finding Your Feet | Dec 26, 2017 | $7M |
| Priceless | Oct 14, 2016 | $0 |
| The Tomorrow Man | May 22, 2019 | $0 |
Week 1: $5.06K
Week 2: $410.00
Investor Share: $225.50
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $5.47K
Net: $3.26K
Costs: $0.00
Profit: $3.26K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.