Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: An elderly miser embarks on a supernatural journey after visits from the ghost of his former business partner and the Spirits of Christmas Past, Present, and Yet to Come force him to confront his past and fight for a second chance at happiness.
| Date | Revenue | % YD | Theaters |
|---|
| Name | Character |
|---|---|
| Johnny Depp | Ebenezer Scrooge |
| Rupert Grint | Bob Cratchit |
| Daisy Ridley | Emily Cratchit |
| Tramell Tillman | Ghost of Christmas Present |
| Ian McKellen | Jacob Marley |
| Andrea Riseborough | Ghost of Christmas Past |
| Sam Claflin | Fred |
| Arthur Conti | Young Ebenezer |
| Charlie Murphy | N/A |
| Robert Strange | Ghost of Christmas Future |
| Alfie Buck | Child Ebenezer |
| Ian Midlane | Mr. Fezziwig |
| Ellie Bamber | Isabel Fezziwig |
| Matt Brewer | Scrooge’s Father |
| Nicholas Day | Minister |
| Zac Wishart | Peter Cratchit |
| Eva Wishart | Martha Cratchit |
| Freddie Lee-Grey | Tiny Tim |
| Bryony Miller | N/A |
| Tom Page-Turner | School Bully |
| Richard James | Blind Beggar |
| Tara Mohatta | Child |
| Nick David | Doctor |
| Imogen Turner | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Wicker | Oct 21, 2026 | $10M |
| The Light Between Oceans | Sep 2, 2016 | $20M |
| Before I Fall | Mar 2, 2017 | $5M |
| Love, Simon | Feb 16, 2018 | $17M |
| The Shack | Mar 3, 2017 | $20M |
| Klara and the Sun | Oct 21, 2026 | $20M |
| Every Day | Feb 22, 2018 | $5M |
| Practical Magic 2 | Sep 9, 2026 | $75M |
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (NaN%)
Investor Share: $N/A
Budget: $38M
P&A: $38M
Gross: $0.00
Net: $0.00
Costs: $76M
Profit: $-76M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.