Domestic Total: 356.33K
Opening Weekend: 240.63K
Legs: 1.48
Overview: A Hollywood starlet seeks refuge in a secluded Airbnb following a high-profile scandal, only to find herself at the mercy of hardened criminals on the hunt for a score.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Aug 22, 2025 | $104,322 | + 0.00% | 432 |
| Sat, Aug 23, 2025 | $79,176 | -24.10% | 432 |
| Sun, Aug 24, 2025 | $57,137 | -27.84% | 432 |
| Mon, Aug 25, 2025 | $26,534 | -53.56% | 432 |
| Tue, Aug 26, 2025 | $36,845 | + 38.86% | 432 |
| Wed, Aug 27, 2025 | $26,885 | -27.03% | 432 |
| Fri, Aug 29, 2025 | $5,353 | -80.09% | 100 |
| Sat, Aug 30, 2025 | $6,914 | + 29.16% | 100 |
| Sun, Aug 31, 2025 | $5,634 | -18.51% | 100 |
| Mon, Sep 1, 2025 | $4,611 | -18.16% | 100 |
| Tue, Sep 2, 2025 | $2,922 | -36.63% | 100 |
| Name | Character |
|---|---|
| Sophie Turner | N/A |
| Katey Sagal | N/A |
| Peter Mensah | N/A |
| Billy Campbell | N/A |
| Rhys Coiro | N/A |
| Forrest Goodluck | N/A |
| Gianni Paolo | N/A |
| Diego Guzmán | Dylan Price |
| Kariana Karhu | Young Lauren Lane |
| Victor Oliveira | N/A |
| Dylan Hall | Elliot |
| Milton Darnell Smith | N/A |
| Iván Echeverrí | Surgeon |
| Santos Woge | Receptionist |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Gone in the Night | Jul 15, 2022 | $0 |
| Regression | Oct 1, 2015 | $20M |
| An Acceptable Loss | Jan 18, 2019 | $0 |
| The Wall | May 12, 2017 | $3M |
| Cop Car | Jul 8, 2015 | $800K |
| Dreamland | Nov 27, 2019 | $0 |
| All I See Is You | Aug 10, 2017 | $30M |
| Murder in the Woods | Aug 14, 2017 | $0 |
Week 1: $336.25K
Week 2: $20.08K
Investor Share: $11.04K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $356.33K
Net: $212.8K
Costs: $0.00
Profit: $212.8K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.