Domestic Total: 1K
Opening Weekend: 1K
Legs: 1.00
Overview: Locked up for a minor crime, 19 year old JR quickly learns the harsh realities of prison life. Protection, if you can get it, is paramount. JR soon finds himself under the watchful eye of Australia's most notorious criminal, Brendan Lynch, but protection comes at a price.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 23, 2015 | $1,000 | + 0.00% | 14 |
| Name | Character |
|---|---|
| Ewan McGregor | Brendan Lynch |
| Brenton Thwaites | JR White |
| Alicia Vikander | Tasha |
| Jacek Koman | Sam |
| Matt Nable | Sterlo |
| Tom Budge | Josh |
| Nash Edgerton | Chris |
| Damon Herriman | Private Wilson |
| Eddie Baroo | Merv |
| Marko Jovanović | Ken |
| Sam Hutchin | Dave |
| Lucas Brown | Andy |
| Jesse McGinn | Swimsuit Girl |
| Brendan Kerkvliet | Prison Officer |
| Matt Flannagan | Prison Officer |
| Geoff Kelso | Prison Officer |
| Peter Neaves | Prison Officer |
| Kazimir Sas | JR's Cellmate |
| Craig Sparrowhawk | Dave's Crony |
| Jared De' Har | Dave's Crony |
| Stephanie Power | Gold Room Supervisor |
| Warwick Sadler | Wounded Staff Member |
| Mick Innes | Old Yacht Man |
| Sarah Filippi | Airport Clerk |
| John Boxer | Wayne |
| Russell Kiefel | Mick |
| Nick Britton | Guy in Club |
| Richard Suliman | Motel Clerk |
| Isaac Money | Beach Teen (uncredited) |
| David Thomson | Guy in Club |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|
Week 1: $1K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$254.59K (99.61%)
Investor Share: $89.11K
Budget: $N/A
P&A: $N/A
Gross: $255.59K
Net: $89.71K
Costs: $0.00
Profit: $89.71K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.