Movie Information
Domestic Total: 1.44M
Opening Weekend: 1.44M
Legs: 1.00
Overview: A man trapped in an endless sterile subway passageway sets out to find Exit 8. The rules of his quest are simple: do not overlook anything out of the ordinary. If you discover an anomaly, turn back immediately. If you don’t, carry on. Then leave from Exit 8. But even a single oversight will send him back to the beginning. Will he ever reach his goal and escape this infinite corridor?
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Apr 10, 2026 | $569,022 | + 0.00% | 495 |
| Sat, Apr 11, 2026 | $483,669 | -15.00% | 495 |
| Sun, Apr 12, 2026 | $383,098 | -20.79% | 495 |
Cast
| Name | Character |
|---|---|
| Kazunari Ninomiya | The Lost Man |
| Yamato Kochi | The Walking Man |
| Nana Komatsu | The Woman |
| Naru Asanuma | The Boy |
| Kotone Hanase | The Schoolgirl |
| Hirota Otsuka | Chief Detective |
| Tara Nakashima | High School Student |
| Reo Soda | Child |
| Mikio Ueda | Assistant Detective |
| HIKAKIN | Passerby |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Blackcoat's Daughter | Mar 31, 2017 | $0 |
| Followed | Jun 19, 2020 | $0 |
| The Lodge | Jan 16, 2020 | $0 |
| The Wretched | Dec 15, 2019 | $66K |
| Murder in the Woods | Aug 14, 2017 | $0 |
| The Vatican Tapes | Jul 23, 2015 | $13M |
| I Saw the TV Glow | May 3, 2024 | $10M |
| The Vigil | Jul 1, 2020 | $0 |
Profitability Breakdown
Domestic
Week 1: $1.44M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$39.21M (96.47%)
Investor Share: $13.72M
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $40.64M
Net: $14.58M
Costs: $0.00
Profit
Profit: $14.58M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
