Domestic Total: 7.89K
Opening Weekend: 991.00
Legs: 4.47
Overview: In 1885, Africa is a succulent cake destined to be wildly divided and everyone wants a piece. A disturbed European king, a Pygmy working in a luxury hotel, a successful but lonely businessman, an enslaved porter, a young army deserter, a ghostly clarinetist. Some benefit from colonialism and greed. Others suffer racism and violence.
| Name | Character |
|---|---|
| Jan Decleir | The King (voice) |
| Bruno Levie | Georges (voice) |
| Paul Huvenne | Narrator (voice) |
| Gaston Motambo | Ota (voice) |
| Alexander Rolies | Petit Phillipe (voice) |
| August Rolies | Petit Phillipe (voice) |
| Jamal Tahri | Angry Neighbor (voice) |
| Michel Kossi | Ota's Brother (voice) |
| Wim Willaert | Van Molle (voice) |
| Goua Robert Grovogui | Bolenge (voice) |
| Anna Schoonbroodt | Louis' Mother (voice) |
| Angelo Tijssens | Louis (voice) |
| Sebastien Dewaele | Pierre (voice) |
| Dirk Rypens | Drunk Man on Boat (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Lobster | Oct 15, 2015 | $4M |
| My Entire High School Sinking Into the Sea | Sep 11, 2016 | $0 |
| April and the Extraordinary World | Nov 4, 2015 | $10M |
| My Life as a Zucchini | Sep 22, 2016 | $8M |
| Let the Sunshine In | Sep 27, 2017 | $3M |
| The Big Bad Fox and Other Tales | Jun 21, 2017 | $3M |
| The Young Karl Marx | Mar 2, 2017 | $0 |
| Phantom Boy | Oct 14, 2015 | $0 |
Week 1: $1.98K
Week 2: $1.31K
Investor Share: $721.60
Week 3+: $4.6K
Investor Share: $2.3K
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $7.89K
Net: $4.21K
Costs: $0.00
Profit: $4.21K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.