Domestic Total: 96.76K
Opening Weekend: 59.76K
Legs: 1.62
Overview: After a young couple moves into a remote farmhouse with their infant son, the woman's struggles with postpartum psychosis begin to intensify... as the house reveals secrets of its own.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jun 17, 2022 | $21,149 | + 0.00% | 54 |
| Sat, Jun 18, 2022 | $23,443 | + 10.85% | 54 |
| Sun, Jun 19, 2022 | $15,169 | -35.29% | 54 |
| Mon, Jun 20, 2022 | $12,263 | -19.16% | 54 |
| Tue, Jun 21, 2022 | $11,799 | -3.78% | 54 |
| Wed, Jun 22, 2022 | $9,585 | -18.76% | 54 |
| Thu, Jun 23, 2022 | $3,353 | -65.02% | 54 |
| Name | Character |
|---|---|
| Emma Roberts | Sara |
| John Gallagher Jr. | Alex |
| Michael Shannon | Renner |
| Kate Arrington | Cindy |
| Marie May | Infant Liam |
| Addy Miller | Anna Solomon |
| Paul Dillon | Harrington |
| Justin Matthew Smith | Robert Solomon |
| Paul Schneider | Dr. Carver |
| Christian Michael Pates | Feral Boy |
| Paxton Pope | Feral Boy |
| Graham Dean | Young Liam |
| Carter Matthews | Young Renner |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Safer at Home | Feb 26, 2021 | $0 |
| The Lodge | Jan 16, 2020 | $0 |
| The Wretched | Dec 15, 2019 | $66K |
| All I See Is You | Aug 10, 2017 | $30M |
| The Art of Self-Defense | Jul 12, 2019 | $2M |
| Green Room | Apr 15, 2016 | $5M |
| The Book of Henry | Jun 16, 2017 | $10M |
| Death House | Feb 28, 2018 | $0 |
Week 1: $96.76K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $96.76K
Net: $58.06K
Costs: $0.00
Profit: $58.06K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.