Movie Information
Domestic Total: 4.28K
Opening Weekend: 2.81K
Legs: 1.52
Overview: Following the death of her husband, Katherine travels to Brussels, where a few loose ends become a whole web of secrets as she untangles her late spouse’s mysterious last days alive.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 4, 2019 | $1,117 | + 0.00% | 10 |
| Sat, Jan 5, 2019 | $1,088 | -2.60% | 10 |
| Sun, Jan 6, 2019 | $608 | -44.12% | 10 |
| Mon, Jan 7, 2019 | $335 | -44.90% | 10 |
| Tue, Jan 8, 2019 | $403 | + 20.30% | 10 |
| Wed, Jan 9, 2019 | $384 | -4.71% | 10 |
| Thu, Jan 10, 2019 | $347 | -9.64% | 10 |
Cast
| Name | Character |
|---|---|
| Katherine Waterston | Katherine |
| Michael Shannon | Edward |
| Luke Evans | Emile |
| Michiel Huisman | Stefan Delvoe |
| Mary Kay Place | Elaine |
| Mark O'Brien | Darren |
| Carlo Rota | N/A |
| Bo Martynowska | Frieda |
| Tessa Mossey | Fashion Model |
| Salvatore Antonio | Colin Waldorf |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Other People | Sep 9, 2016 | $0 |
| Outside In | Mar 30, 2018 | $0 |
| Badsville | Mar 25, 2017 | $0 |
| On the Beach at Night Alone | Mar 23, 2017 | $0 |
| Three Peaks | Aug 22, 2017 | $0 |
| Dear Zindagi | Nov 23, 2016 | $4M |
| Sultan | Jul 6, 2016 | $10M |
| Monsters and Men | Sep 22, 2018 | $0 |
Profitability Breakdown
Domestic
Week 1: $4.28K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $4.28K
Net: $2.57K
Costs: $0.00
Profit
Profit: $2.57K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
