Domestic Total: 37K
Opening Weekend: 37K
Legs: 1.00
Overview: During their last year at an Ivy League college in 1999, a group of friends and crew teammates' lives are changed forever when an army vet takes over as coach of their dysfunctional rowing team.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 29, 2021 | $15,500 | + 0.00% | 102 |
| Sat, Oct 30, 2021 | $13,500 | -12.90% | 102 |
| Sun, Oct 31, 2021 | $8,000 | -40.74% | 102 |
| Name | Character |
|---|---|
| Michael Shannon | Jack Murphy |
| Alexander Ludwig | Alex |
| Charles Melton | Chris |
| Alex MacNicoll | John |
| Andrew Creer | MJ |
| Ash Santos | Nisha |
| Lilly Krug | Sara |
| Caroline Cole | Lili |
| David James Elliott | Singleton |
| Michael Tacconi | Ted |
| David Cade | Lance |
| Anton Hedayat | Diver |
| Spencer Squire | Ben |
| Jon Lemmon | Jake |
| Thomas Kasp | Logan |
| Lance E. Nichols | President Jack Harris |
| Vernon Wiggins | Race Spectator |
| Wendy Prior Fentress | Regatta Judge |
| Linda Muri | Regatta Judge |
| Peighton Tubre | Girl at the Bar (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Judy | Sep 27, 2019 | $10M |
| Aline | Nov 19, 2020 | $26M |
| I'm Not Ashamed | Oct 21, 2016 | $2M |
| Loving | Nov 4, 2016 | $9M |
| A Hidden Life | Aug 27, 2019 | $9M |
| Tesla | Aug 14, 2020 | $5M |
| Pawn Sacrifice | Sep 16, 2015 | $19M |
| A United Kingdom | Nov 25, 2016 | $14M |
Week 1: $37K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $32K
P&A: $32K
Gross: $37K
Net: $22.2K
Costs: $64K
Profit: $-41.8K (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.