AUM: The Cult at the End of the World Poster
AUM: The Cult at the End of the World (2025)
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AUM: The Cult at the End of the World Revenue (Daily) (with Theater Counts)

Domestic Total: 8.27K

Opening Weekend: 4.47K

Legs: 1.66

Overview: The shocking story of Aum Shinrikyo, the doomsday cult that unleashed a deadly nerve gas in Tokyo’s subway system in 1995. Founded by disillusioned yoga teacher Shoko Asahara, Aum transformed into a terrorist organization while Japan’s police and media turned a blind eye. Featuring rare archival footage and an interview with one of Asahara’s former high-ranking disciples. A Sundance premiere.


TMDB

0.0

IMDB

6.5

Metacritic

60

RT Tomato

66

Letterboxd

3.30

Daily Table

DateRevenue% YDTheaters
Wed, Mar 19, 2025$1,659+ 0.00%1
Thu, Mar 20, 2025$888 -46.47%1
Fri, Mar 21, 2025$1,567+ 76.46%2
Sat, Mar 22, 2025$1,764+ 12.57%2
Sun, Mar 23, 2025$1,139 -35.43%2
Mon, Mar 24, 2025$205 -82.00%2
Tue, Mar 25, 2025$727+ 254.63%2
Wed, Mar 26, 2025$119 -83.63%2
Thu, Mar 27, 2025$200+ 68.07%2
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
Carville: Winning Is Everything, StupidOct 11, 2024$0
Citizen KDec 13, 2019$0
Mad About the Boy: The Noël Coward StoryJun 2, 2023$0
Making Waves: The Art of Cinematic SoundOct 25, 2019$0
WatermanApr 1, 2022$0
RiskMay 5, 2017$0
The Devil and Father AmorthApr 20, 2018$0
2nd ChanceDec 2, 2022$0
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Profitability Breakdown

Domestic

Week 1: $7.95K

Investor Share: $4.77K

Week 2: $319.00

Investor Share: $175.45

Week 3+: $0.00

Investor Share: $0.00

International

$N/A (0.00%)

Investor Share: $N/A

Costs

Budget: $N/A


P&A: $N/A

Breakdown

Gross: $8.27K


Net: $4.94K


Costs: $0.00

Profit

Profit: $4.94K

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies

Keywords