Domestic Total: 1.24K
Opening Weekend: 766.00
Legs: 1.34
Overview: Lucía, a club dancer on the run, takes refuge in a sinister building on the outskirts of Madrid where her sister Rocío lives with her daughter Alba.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 31, 2023 | $136 | + 0.00% | 10 |
| Sat, Apr 1, 2023 | $378 | + 177.94% | 10 |
| Sun, Apr 2, 2023 | $252 | -33.33% | 10 |
| Mon, Apr 3, 2023 | $139 | -44.84% | 10 |
| Tue, Apr 4, 2023 | $300 | + 115.83% | 10 |
| Wed, Apr 5, 2023 | $28 | -90.67% | 10 |
| Thu, Apr 6, 2023 | $9 | -67.86% | 10 |
| Name | Character |
|---|---|
| Ester Expósito | Lucía |
| Ángela Cremonte | Rocío |
| Inés Fernández | Alba |
| Magüi Mira | Marga |
| Aten Soria | Romina |
| María José Sarrate | Rosita |
| Sofía Reyes | Olivia |
| Fernando Valdivielso | Moro |
| Federico Aguado | Salinas |
| Francisco Boira | Calvo |
| Pedro Bachura | Arruza |
| Alejandra Meco | Nina |
| Rocío Andrés Riber | Go-go Girl |
| Said Taibi | Cellular Guy |
| Sonsoles Benedicto | Aunt Galga |
| Lourdes Llamas | Dancer #1 |
| Nany Reyes | Dancer #2 |
| Claudia Apolonia | Dancer #3 |
| Pedro Piqueras | Anchorman (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Lamb | Aug 12, 2021 | $0 |
| John and the Hole | Aug 6, 2021 | $0 |
| The Lodge | Jan 16, 2020 | $0 |
| Titane | Jul 14, 2021 | $7M |
| Demon | Oct 16, 2015 | $0 |
| The Informer | Aug 30, 2019 | $60M |
| Piercing | Jan 3, 2019 | $0 |
| Murder in the Woods | Aug 14, 2017 | $0 |
Week 1: $1.24K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$642.46K (99.81%)
Investor Share: $224.86K
Budget: $N/A
P&A: $N/A
Gross: $643.7K
Net: $225.61K
Costs: $0.00
Profit: $225.61K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.