Domestic Total: 1.01K
Opening Weekend: 496.00
Legs: 2.01
Overview: When a group of young Spanish tourists travel to Venice for a bachelorette party, they are met by angry locals who are not keen on foreigners and soon they find themselves fighting for their lives.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Aug 12, 2022 | $154 | + 0.00% | 10 |
| Sat, Aug 13, 2022 | $169 | + 9.74% | 10 |
| Sun, Aug 14, 2022 | $173 | + 2.37% | 10 |
| Mon, Aug 15, 2022 | $121 | -30.06% | 10 |
| Tue, Aug 16, 2022 | $159 | + 31.40% | 10 |
| Wed, Aug 17, 2022 | $127 | -20.13% | 10 |
| Thu, Aug 18, 2022 | $103 | -18.90% | 10 |
| Name | Character |
|---|---|
| Ingrid García Jonsson | Isa |
| Cosimo Fusco | Dottore / Bufón |
| Caterina Murino | Claudia |
| Nico Romero | Alfonso |
| Silvia Alonso | Susana |
| Enrico Lo Verso | Giacomo |
| Armando De Razza | Brunelli |
| Nicolás Illoro | Javi |
| Goize Blanco | Arantza |
| Alberto Bang | José |
| Diego Pagotto | Salesman |
| Alessandro Bressanello | Colonna |
| Giulia Pagnacco | Gina |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| A Bigger Splash | Nov 26, 2015 | $0 |
| Morris from America | Aug 19, 2016 | $0 |
| Regression | Oct 1, 2015 | $20M |
| Safer at Home | Feb 26, 2021 | $0 |
| The Florida Project | Oct 6, 2017 | $2M |
| The Art of Self-Defense | Jul 12, 2019 | $2M |
| Green Room | Apr 15, 2016 | $5M |
| Murder in the Woods | Aug 14, 2017 | $0 |
Week 1: $1.01K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$466.09K (99.78%)
Investor Share: $163.13K
Budget: $N/A
P&A: $N/A
Gross: $467.1K
Net: $163.73K
Costs: $0.00
Profit: $163.73K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.