Movie Information
Domestic Total: 11.22M
Opening Weekend: 4.26M
Legs: 2.74
Overview: Sarah Rector, an African-American girl born in Oklahoma Indian Territory in the early 1900s, believes there is oil beneath the barren land she’s allotted, and her faith is proven right. As greedy oil sharks close in, Sarah turns to her family, friends, and some Texas wildcatters to maintain control of her oil-rich land, eventually becoming among the nation's first female African-American millionaires—at eleven years old.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Nov 6, 2025 | $460,000 | + 0.00% | |
| Fri, Nov 7, 2025 | $1,742,593 | + 278.82% | 2410 |
| Sat, Nov 8, 2025 | $1,512,371 | -13.21% | 2410 |
| Sun, Nov 9, 2025 | $1,006,482 | -33.45% | 2410 |
| Mon, Nov 10, 2025 | $413,762 | -58.89% | 2410 |
| Tue, Nov 11, 2025 | $973,063 | + 135.17% | 2410 |
| Wed, Nov 12, 2025 | $360,419 | -62.96% | 2410 |
| Thu, Nov 13, 2025 | $307,419 | -14.71% | 2410 |
| Fri, Nov 14, 2025 | $650,336 | + 111.55% | 2410 |
| Sat, Nov 15, 2025 | $982,496 | + 51.08% | 2410 |
| Sun, Nov 16, 2025 | $608,537 | -38.06% | 2410 |
| Mon, Nov 17, 2025 | $212,626 | -65.06% | 2410 |
| Tue, Nov 18, 2025 | $432,281 | + 103.31% | 2410 |
| Wed, Nov 19, 2025 | $226,974 | -47.49% | 2410 |
| Thu, Nov 20, 2025 | $151,317 | -33.33% | 2410 |
| Fri, Nov 21, 2025 | $217,578 | + 43.79% | 1347 |
| Sat, Nov 22, 2025 | $336,043 | + 54.45% | 1347 |
| Sun, Nov 23, 2025 | $247,648 | -26.30% | 1347 |
| Mon, Nov 24, 2025 | $125,358 | -49.38% | 1347 |
| Tue, Nov 25, 2025 | $126,442 | + 0.86% | 1347 |
| Thu, Nov 27, 2025 | $75,864 | -40.00% | 1347 |
| Fri, Nov 28, 2025 | $153,559 | + 102.41% | 505 |
| Sat, Nov 29, 2025 | $151,119 | -1.59% | 505 |
| Sun, Nov 30, 2025 | $89,425 | -40.82% | 505 |
| Mon, Dec 1, 2025 | $27,593 | -69.14% | 505 |
| Tue, Dec 2, 2025 | $37,647 | + 36.44% | 505 |
| Wed, Dec 3, 2025 | $28,968 | -23.05% | 505 |
| Thu, Dec 4, 2025 | $21,219 | -26.75% | 505 |
Cast
| Name | Character |
|---|---|
| Zachary Levi | Bert Smith |
| Naya Desir-Johnson | Sarah |
| Sonequa Martin-Green | Rose |
| Garret Dillahunt | Devnan |
| Bridget Regan | Kate Barnard |
| Kenric Green | Joe |
| Adyan Copes | Junior |
| Stelio Savante | Earl |
| Mel Rodriguez | Mace |
| Jonathan Lipnicki | Chemist |
| Marco Fuller | Jimsye |
| Kevin Downes | Dallas Blake |
| Malea Mitchell | Gabby |
| Ernest Marsh | Taft Family Man |
| Selase Botchway | Mr. Pharr |
| Vic Trevino | Horace |
| Fracaswell Hyman | Mr. Shep |
| Tom Ohmer | Judge Leahy |
| Ryan O'Quinn | Eddie Caron |
| Robert Goodman | Wilcox |
| John Gibson Miller | Loan Officer |
| Robert Peters | Bureaucrat |
| Brandon Burton | Blackman |
| Bryan Whorton | Security Guard |
| Carrie-Rose Menocal | Karla |
| Chad Baker | Marshall |
| Eric Hanson | Proprietor |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Case for Christ | Apr 7, 2017 | $3M |
| Woodlawn | Oct 15, 2015 | $12M |
| The Hill | Aug 18, 2023 | $0 |
| The Long Game | Apr 12, 2024 | $0 |
| Ordinary Angels | Feb 22, 2024 | $13M |
| American Underdog | Dec 25, 2021 | $25M |
| I Still Believe | Mar 12, 2020 | $12M |
| Unsung Hero | Apr 26, 2024 | $6M |
Profitability Breakdown
Domestic
Week 1: $6.47M
Week 2: $3.42M
Investor Share: $1.88M
Week 3+: $1.79M
Investor Share: $894.89K
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $11.22M
Net: $6.66M
Costs: $0.00
Profit
Profit: $6.66M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
