Domestic Total: 250K
Opening Weekend: 250K
Legs: 1.00
Overview: When governments use Covid emergency act edicts to restrict the gathering and worship of the Church, three pastors facing the risk of imprisonment, unlimited fines, and their own Churches splitting apart take a courageous stand and re-open in the face of a world that has chosen to comply.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jul 28, 2023 | $102,500 | + 0.00% | 301 |
| Sat, Jul 29, 2023 | $83,000 | -19.02% | 301 |
| Sun, Jul 30, 2023 | $64,500 | -22.29% | 301 |
| Name | Character |
|---|---|
| John MacArthur | N/A |
| Jenna Ellis | N/A |
| Paul M Jonna | N/A |
| Charles S LiMandri | N/A |
| Jeffrey M Trissell | N/A |
| James Coats | N/A |
| Erin Coats | N/A |
| Tim Stephens | N/A |
| Scott W. Atlas | N/A |
| Jay Bhattacharya | N/A |
| Ian Hamilton | N/A |
| Chris Hamilton | N/A |
| Phil Johnson | N/A |
| Voddie Baucham | N/A |
| Darrell B Harrison | N/A |
| Leighton Grey | N/A |
| Jorge Rodriguez | N/A |
| Gary Brady | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Echo in the Canyon | May 24, 2019 | $0 |
| Becoming Cousteau | Oct 22, 2021 | $0 |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| Free Solo | Sep 28, 2018 | $0 |
| Won't You Be My Neighbor? | Jun 29, 2018 | $0 |
| Fiddler: A Miracle of Miracles | Aug 23, 2019 | $0 |
| Lakota Nation vs. United States | Jun 11, 2022 | $0 |
| Pavarotti | Jun 4, 2019 | $0 |
Week 1: $250K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $250K
Net: $150K
Costs: $0.00
Profit: $150K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.