Domestic Total: 2.21K
Opening Weekend: 707.00
Legs: 1.37
Overview: Heavy snow falls from the sky as heavily-armed guards patrol the walls of an Iranian centre of correction and rehabilitation. Inside, the girls are waiting at the food counter. Among them are underage mothers and others who are married. All of them ended up here after becoming involved in crime. Drug dealing, assault, murder. Yet instead of cold-blooded criminals we discover friendly, warm young people who laugh, sing and cry together. Their close bonds have been forged by the troubled past they share. We learn of their fears of having to return to the lives they once left behind. The documental camera is intimate but respectful, the resulting portraits are full of dignity.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 20, 2017 | $172 | + 0.00% | 1 |
| Sat, Jan 21, 2017 | $176 | + 2.33% | 1 |
| Sun, Jan 22, 2017 | $359 | + 103.98% | 1 |
| Sat, Jan 28, 2017 | $881 | + 145.40% | 1 |
| Sun, Jan 29, 2017 | $366 | -58.46% | 1 |
| Sat, Feb 4, 2017 | $142 | -61.20% | 1 |
| Sun, Feb 5, 2017 | $112 | -21.13% | 1 |
| Name | Character |
|---|
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Under the Sun | Oct 30, 2015 | $0 |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| The Seasons in Quincy: Four Portraits of John Berger | Jun 23, 2017 | $0 |
| Risk | May 5, 2017 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| Trophy | Jan 20, 2017 | $0 |
Week 1: $2.21K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $2.21K
Net: $1.32K
Costs: $0.00
Profit: $1.32K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.