Domestic Total: 1.16M
Opening Weekend: 681.65K
Legs: 1.70
Overview: Explore the complex and profound ties that exist between brothers, fathers, and sons.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 3, 2025 | $309,820 | + 0.00% | 865 |
| Sat, Oct 4, 2025 | $224,330 | -27.59% | 865 |
| Sun, Oct 5, 2025 | $147,505 | -34.25% | 865 |
| Mon, Oct 6, 2025 | $60,365 | -59.08% | 865 |
| Tue, Oct 7, 2025 | $86,985 | + 44.10% | 865 |
| Wed, Oct 8, 2025 | $63,585 | -26.90% | 865 |
| Thu, Oct 9, 2025 | $38,660 | -39.20% | 865 |
| Fri, Oct 10, 2025 | $38,615 | -0.12% | 879 |
| Sat, Oct 11, 2025 | $55,950 | + 44.89% | 879 |
| Sun, Oct 12, 2025 | $45,580 | -18.53% | 879 |
| Mon, Oct 13, 2025 | $29,405 | -35.49% | 879 |
| Tue, Oct 14, 2025 | $27,055 | -7.99% | 879 |
| Wed, Oct 15, 2025 | $21,945 | -18.89% | 879 |
| Thu, Oct 16, 2025 | $12,030 | -45.18% | 879 |
| Name | Character |
|---|---|
| Daniel Day-Lewis | Ray Stoker |
| Sean Bean | Jem Stoker |
| Samuel Bottomley | Brian |
| Safia Oakley-Green | Hattie |
| Samantha Morton | Nessa |
| Sid Akbar Ali | Jim |
| Paul Butterworth | Mr Jarvis |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Demolition | Apr 6, 2016 | $10M |
| We Are Your Friends | Aug 26, 2015 | $6M |
| The Way Back | Mar 5, 2020 | $23M |
| The Edge of Seventeen | Nov 18, 2016 | $9M |
| Life Itself | Sep 21, 2018 | $10M |
| Stillwater | Jul 29, 2021 | $20M |
| Boogie | Mar 5, 2021 | $20M |
| The Outfit | Feb 25, 2022 | $5M |
Week 1: $931.25K
Week 2: $230.58K
Investor Share: $126.82K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $11M
P&A: $11M
Gross: $1.16M
Net: $685.57K
Costs: $22M
Profit: $-21.31M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.