Domestic Total: 129.02K
Opening Weekend: 120.91K
Legs: 1.07
Overview: In 1992 Chicago, a story of two young legends in their own right begins. As wide-eyed and imaginative best friends Malik and Eric traverse the city, looking to escape the mundaneness of school and the hardships of growing up in public housing, their unbreakable bond is challenged when tragedy shakes their community just as they are learning to fly.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Apr 26, 2024 | $41,762 | + 0.00% | 3 |
| Sat, Apr 27, 2024 | $44,359 | + 6.22% | 3 |
| Sun, Apr 28, 2024 | $34,791 | -21.57% | 3 |
| Fri, May 10, 2024 | $2,147 | -93.83% | 26 |
| Sat, May 11, 2024 | $2,818 | + 31.25% | 26 |
| Sun, May 12, 2024 | $3,145 | + 11.60% | 26 |
| Name | Character |
|---|---|
| Blake Cameron James | Malik |
| Gian Knight Ramirez | Éric |
| S. Epatha Merkerson | Anita |
| Avery Holliday | Amber |
| Ora Jones | Victoria Lucas |
| Lil Rel Howery | Jason |
| Jurnee Smollett | Dolores |
| Patrick Dunham | Police Officer #3 |
| David Folsom | CHA Officer |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Leave No Trace | Jun 29, 2018 | $0 |
| Summerland | Jul 24, 2020 | $0 |
| Mr. Church | Sep 16, 2016 | $8M |
| Stonewall | Sep 18, 2015 | $14M |
| By the Sea | Nov 12, 2015 | $10M |
| Even in Dreams | Aug 6, 2021 | $0 |
| Mr. Holmes | Jun 19, 2015 | $11M |
| Once I Was a Beehive | Aug 14, 2015 | $0 |
Week 1: $129.02K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $129.02K
Net: $77.41K
Costs: $0.00
Profit: $77.41K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.