Domestic Total: 26.56K
Opening Weekend: 11.19K
Legs: 2.03
Overview: José lives with his mother in Guatemala: a tough life in one of the world's most dangerous, religious, and impoverished countries. José is her youngest and favorite child, and her life is going to church and selling sandwiches. He spends his days on crowded buses and in the streets delivering food. Resigned and aloof, in free moments he plays with his phone and looks for random sex. When he meets Luis, José is thrust into a dimension of passion and pain and self-reflection that was previously unimaginable.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 31, 2020 | $3,177 | + 0.00% | 1 |
| Sat, Feb 1, 2020 | $4,753 | + 49.61% | 1 |
| Sun, Feb 2, 2020 | $3,261 | -31.39% | 1 |
| Mon, Feb 3, 2020 | $1,096 | -66.39% | 1 |
| Tue, Feb 4, 2020 | $1,231 | + 12.32% | 1 |
| Wed, Feb 5, 2020 | $1,100 | -10.64% | 1 |
| Thu, Feb 6, 2020 | $1,257 | + 14.27% | 1 |
| Fri, Feb 7, 2020 | $3,621 | + 188.07% | 2 |
| Sat, Feb 8, 2020 | $4,728 | + 30.57% | 2 |
| Sun, Feb 9, 2020 | $2,339 | -50.53% | 2 |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Badsville | Mar 25, 2017 | $0 |
| Outside In | Mar 30, 2018 | $0 |
| Play the Flute | Oct 7, 2019 | $0 |
| Beatriz at Dinner | Jun 9, 2017 | $0 |
| The Florida Project | Oct 6, 2017 | $2M |
| ABCD 2 | Jun 19, 2015 | $0 |
| Other People | Sep 9, 2016 | $0 |
| The Only Living Boy in New York | Jul 27, 2017 | $0 |
Week 1: $15.88K
Week 2: $10.69K
Investor Share: $5.88K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $26.56K
Net: $15.4K
Costs: $0.00
Profit: $15.4K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.