Domestic Total: 12.79K
Opening Weekend: 5.52K
Legs: 1.71
Overview: Set against a backdrop of the Israeli-Palestinian conflict, Palestinian rapper Kareem and his singer girlfriend Manar struggle, love and make music in their crime-ridden ghetto and Tel Aviv's hip-hop club scene.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 3, 2017 | $1,683 | + 0.00% | 2 |
| Sat, Mar 4, 2017 | $2,486 | + 47.71% | 2 |
| Sun, Mar 5, 2017 | $1,347 | -45.82% | 2 |
| Mon, Mar 6, 2017 | $661 | -50.93% | 2 |
| Tue, Mar 7, 2017 | $672 | + 1.66% | 2 |
| Wed, Mar 8, 2017 | $437 | -34.97% | 2 |
| Thu, Mar 9, 2017 | $587 | + 34.32% | 2 |
| Fri, Mar 10, 2017 | $383 | -34.75% | 2 |
| Sat, Mar 11, 2017 | $463 | + 20.89% | 2 |
| Sun, Mar 12, 2017 | $364 | -21.38% | 2 |
| Mon, Mar 13, 2017 | $230 | -36.81% | 2 |
| Tue, Mar 14, 2017 | $182 | -20.87% | 2 |
| Thu, Mar 16, 2017 | $3,300 | + 1713.19% | 2 |
| Name | Character |
|---|---|
| Salwa Nakkara | Kareem's Mother |
| Tamer Nafar | Kareem |
| Samar Qupty | Manar |
| Ayed Fadel | Hussam |
| Sameh 'Saz' Zakout | Amir |
| Saeed Dassuki | Talal |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Pyaar Ka Punchnama 2 | Oct 16, 2015 | $0 |
| The Challenger | Sep 11, 2015 | $0 |
| ABCD 2 | Jun 19, 2015 | $0 |
| Phantom | Aug 28, 2015 | $9M |
| Tamasha | Nov 27, 2015 | $0 |
| Dilwale | Dec 18, 2015 | $26M |
| Bajrangi Bhaijaan | Jul 17, 2015 | $13M |
| Prem Ratan Dhan Payo | Nov 11, 2015 | $23M |
Week 1: $7.87K
Week 2: $4.92K
Investor Share: $2.71K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $12.79K
Net: $7.43K
Costs: $0.00
Profit: $7.43K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.