Movie Information
Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 1.00
Overview: Etienne comes to Paris to study filmmaking at the Sorbonne. He meets Mathias and Jean-Noël who share his passion for films. But as they spend the year studying, they have to face friendship and love challenges as well as choosing their artistic battles.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Aug 30, 2018 | $2,665 | + 0.00% | 1 |
Cast
| Name | Character |
|---|---|
| Andranic Manet | Étienne |
| Corentin Fila | Mathias |
| Gonzague Van Bervesseles | Jean-Noël |
| Diane Rouxel | Lucie |
| Jenna Thiam | Valentina |
| Nicolas Bouchaud | Paul Rossi |
| Charlotte Van Bervesselès | Héloïse |
| Sophie Verbeeck | Annabelle |
| Lola Dubus | N/A |
| Nino Rocher | N/A |
| Daphné Patakia | N/A |
| Fabien Hagège | N/A |
| Delphine Chuillot | N/A |
| Laurent Delbecque | N/A |
| Jeanne Ruff | N/A |
| Thomas Alden | N/A |
| Julie Sokolowski | N/A |
| Jenna Hasse | N/A |
| Brice Michelini | N/A |
| Jonathan Turnbull | N/A |
| Paul Spera | N/A |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| ABCD 2 | Jun 19, 2015 | $0 |
| Thelma | Sep 15, 2017 | $6M |
| BPM (Beats per Minute) | Aug 23, 2017 | $7M |
| Made in France | Oct 4, 2015 | $0 |
| A Bigger Splash | Nov 26, 2015 | $0 |
| Let the Sunshine In | Sep 27, 2017 | $3M |
| Louder Than Bombs | Oct 1, 2015 | $11M |
| Three Peaks | Aug 22, 2017 | $0 |
Profitability Breakdown
Domestic
Week 1: $2.67K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$89.6K (97.11%)
Investor Share: $31.36K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $89.6K
Net: $32.96K
Costs: $0.00
Profit
Profit: $32.96K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
