Movie Information
Domestic Total: 15.99K
Opening Weekend: 10.08K
Legs: 1.59
Overview: Suffering because of his father's departure to the big city, a boy leaves his village and discovers a fantastic world dominated by bug-engines and strange beings. An unusual animation with various artistic techniques that portrays the issues of the modern world through the eyes of a child.
TMDB
IMDB
Metacritic
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Dec 11, 2015 | $2,725 | + 0.00% | 2 |
| Sat, Dec 12, 2015 | $4,494 | + 64.92% | 2 |
| Sun, Dec 13, 2015 | $2,858 | -36.40% | 2 |
| Mon, Dec 14, 2015 | $664 | -76.77% | 2 |
| Tue, Dec 15, 2015 | $667 | + 0.45% | 2 |
| Wed, Dec 16, 2015 | $1,399 | + 109.75% | 2 |
| Thu, Dec 17, 2015 | $627 | -55.18% | 2 |
| Fri, Dec 18, 2015 | $655 | + 4.47% | 1 |
| Sat, Dec 19, 2015 | $1,036 | + 58.17% | 1 |
| Sun, Dec 20, 2015 | $866 | -16.41% | 1 |
Cast
| Name | Character |
|---|---|
| Vinicius Garcia | Kid (voice) |
| Lu Horta | Mother (voice) |
| Marco Aurélio Campos | Father (voice) |
| Felipe Zilse | Young Boy (voice) |
| Alê Abreu | Old Man (voice) |
| Cassius Romero | Dog (voice) |
| Nestor Chiesse | Colonel (voice) |
| Alfredo Rollo | News Anchor (voice) |
| Patrícia Pichamone | News Anchor (voice) |
| Melissa Garcia | (voice) |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|
Profitability Breakdown
Domestic
Week 1: $13.43K
Week 2: $2.56K
Investor Share: $1.41K
Week 3+: $0.00
Investor Share: $0.00
International
$151.49K (90.45%)
Investor Share: $53.02K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $167.48K
Net: $62.49K
Costs: $0.00
Profit
Profit: $62.49K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.