
Domestic Total: 101.2K
Opening Weekend: 0.00
Legs: 1.00
Overview: When a ghost-infecting virus known as Fire-Starter begins spreading through the system resulting in the assassination of the Japanese Prime Minister, Major Motoko Kusanagi and her elite team of special operatives are called in to track down its source.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Tue, Nov 10, 2015 | $55,241 | + 0.00% | 267 |
| Wed, Nov 11, 2015 | $45,121 | -18.32% | 267 |
| Thu, Nov 12, 2015 | $841 | -98.14% | 267 |
| Name | Character |
|---|---|
| Maaya Sakamoto | Motoko Kusanagi (voice) |
| Kenichirou Matsuda | Batou (voice) |
| Kazuya Nakai | Borma (voice) |
| Ikkyu Juku | Daisuke Aramaki (voice) |
| Kenji Nojima | Tsumugi (voice) |
| Mayumi Asano | Kurutsu (voice) |
| Megumi Han | Chris (voice) |
| Miyuki Sawashiro | Logicoma (voice) |
| Mugihito | Robert Lee (voice) |
| Shunsuke Sakuya | Ishikawa (voice) |
| Takuro Nakakuni | (voice) |
| Tarusuke Shingaki | (voice) |
| Yoji Ueda | (voice) |
| Atsushi Miyauchi | (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Mr. Holmes | Jun 19, 2015 | $11M |
| ABCD 2 | Jun 19, 2015 | $0 |
| Grandma | Jun 4, 2015 | $600K |
| Me and Earl and the Dying Girl | Jun 12, 2015 | $0 |
| Inside Out | Jun 17, 2015 | $175M |
| Minions | Jun 17, 2015 | $74M |
| Paper Towns | Jun 18, 2015 | $12M |
| Dope | Jun 19, 2015 | $7M |
Week 1: $101.2K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$1.23M (92.40%)
Investor Share: $430.89K
Budget: $N/A
P&A: $N/A
Gross: $1.33M
Net: $491.61K
Costs: $0.00
Profit: $491.61K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.