Domestic Total: 27.3K
Opening Weekend: 10.96K
Legs: 1.81
Overview: An ex-couple are both set to inherit a lot of money if they can spend the week together in a remote cabin getaway.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Feb 9, 2024 | $5,839 | + 0.00% | 20 |
| Sat, Feb 10, 2024 | $4,640 | -20.53% | 20 |
| Sun, Feb 11, 2024 | $477 | -89.72% | 20 |
| Mon, Feb 12, 2024 | $522 | + 9.43% | 20 |
| Tue, Feb 13, 2024 | $485 | -7.09% | 20 |
| Wed, Feb 14, 2024 | $1,567 | + 223.09% | 20 |
| Thu, Feb 15, 2024 | $503 | -67.90% | 20 |
| Fri, Feb 16, 2024 | $4,346 | + 764.02% | 12 |
| Sat, Feb 17, 2024 | $4,567 | + 5.09% | 12 |
| Sun, Feb 18, 2024 | $926 | -79.72% | 12 |
| Mon, Feb 19, 2024 | $1,698 | + 83.37% | 12 |
| Tue, Feb 20, 2024 | $813 | -52.12% | 12 |
| Wed, Feb 21, 2024 | $575 | -29.27% | 12 |
| Thu, Feb 22, 2024 | $347 | -39.65% | 12 |
| Name | Character |
|---|---|
| Jasen Wade | Michael Smith |
| Whitney Palmer | Bailey Cooper |
| Talitha Hanks | Kimberly Anderson |
| Damarr Jones | Mailman |
| Ari Bagley | Alyssa |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Duck Butter | Apr 27, 2018 | $0 |
| Let the Sunshine In | Sep 27, 2017 | $3M |
| Tu Jhoothi Main Makkaar | Mar 8, 2023 | $0 |
| Katti Batti | Sep 18, 2015 | $0 |
| Student of the Year 2 | May 10, 2019 | $0 |
| Love in Kilnerry | Apr 8, 2022 | $0 |
| Housefull 4 | Oct 25, 2019 | $0 |
| Olympic Dreams | Mar 10, 2019 | $0 |
Week 1: $14.03K
Week 2: $13.27K
Investor Share: $7.3K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $27.3K
Net: $15.72K
Costs: $0.00
Profit: $15.72K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.