Domestic Total: 701.17K
Opening Weekend: 29.85K
Legs: 5.42
Overview: Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors — another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.
| Name | Character |
|---|---|
| Guillaume Canet | Alain |
| Juliette Binoche | Selena |
| Vincent Macaigne | Léonard |
| Christa Théret | Laure |
| Nora Hamzawi | Valérie |
| Pascal Greggory | Marc-Antoine |
| Laurent Poitrenaux | Author, at Alain |
| Sigrid Bouaziz | Editor |
| Lionel Dray | Editor |
| Nicolas Bouchaud | David |
| Antoine Reinartz | Bookseller in Arles |
| Aurélia Petit | Guest of Marc-Antoine |
| Thierry de Peretti | Guest of Marc-Antoine |
| Violaine Gillibert | Paloma, Marc-Antoine's friend |
| Jean-Luc Vincent | Author of Marécage |
| Laëtitia Spigarelli | Amélia |
| Stéphane Roger | Selena's Agent |
| David Blot | Radio Host |
| Jeanne Candel | Press Officer |
| Olivia Ross | Laura's Friend |
| Jean-François Auguste | Bookseller |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| A Hologram for the King | Apr 22, 2016 | $30M |
| The Lobster | Oct 15, 2015 | $4M |
| A Bigger Splash | Nov 26, 2015 | $0 |
| Juliet, Naked | Aug 16, 2018 | $0 |
| Last Flag Flying | Nov 3, 2017 | $0 |
| Wilson | Mar 24, 2017 | $0 |
| Cold War | Jun 8, 2018 | $5M |
| Paterson | Nov 17, 2016 | $5M |
Week 1: $43.31K
Week 2: $63.27K
Investor Share: $34.8K
Week 3+: $594.58K
Investor Share: $297.29K
$2.79M (79.94%)
Investor Share: $978.09K
Budget: $N/A
P&A: $N/A
Gross: $3.5M
Net: $1.34M
Costs: $0.00
Profit: $1.34M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.