The Marginalized Poster
The Marginalized (2023)
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The Marginalized Revenue (Daily) (with Theater Counts)

Domestic Total: 539.00

Opening Weekend: 274.00

Legs: 1.80

Overview: Michèle, in her fifties, is homeless and lives at Orly airport where she leads a hard and lonely life. Theo, a mentally handicapped young man, works at the airport and lives with his "Auntie" who has been overprotecting him since he was abandoned by his mother. When Michèle decides to find her son in Lisbon, Theo naively agrees to drive her there, but what she doesn't know is that he only has a car without a license... They then embark on an adventure on the country roads, making us follow people we don't look at, on roads we never take.


TMDB

6.5

IMDB

5.9

Metacritic

0

Letterboxd

3.13

Daily Table

DateRevenue% YDTheaters
Fri, Sep 22, 2023$74+ 0.00%10
Sat, Sep 23, 2023$73 -1.35%10
Sun, Sep 24, 2023$127+ 73.97%10
Mon, Sep 25, 2023$71 -44.09%10
Tue, Sep 26, 2023$98+ 38.03%10
Wed, Sep 27, 2023$58 -40.82%10
Thu, Sep 28, 2023$38 -34.48%10
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
3 GenerationsOct 27, 2016$10M
Only the AnimalsDec 4, 2019$5M
The Sound of VioletApr 29, 2022$0
Two Tickets to GreeceJan 11, 2023$0
TulsaAug 21, 2020$0
Counter ColumnMay 21, 2021$0
Petite MamanJun 2, 2021$3M
Mia and the White LionAug 2, 2018$10M
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Profitability Breakdown

Domestic

Week 1: $539.00

Investor Share: $323.40

Week 2: $0.00

Investor Share: $0.00

Week 3+: $0.00

Investor Share: $0.00

International

$N/A (0.00%)

Investor Share: $N/A

Costs

Budget: $N/A


P&A: $N/A

Breakdown

Gross: $539.00


Net: $323.40


Costs: $0.00

Profit

Profit: $323.40

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.