Domestic Total: 49.31K
Opening Weekend: 37.37K
Legs: 1.32
Overview: After five failed attempts to go to the United States, 18-year-old Ramón decides to look for a friend’s aunt in Germany, but never finds her. With no papers or money, and without knowing the language, he barely survives living on the street until he meets Ruth, an old retired nurse who doesn’t speak Spanish. Beyond language barriers and prejudices, they discover that solidarity and humanity make life bearable.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Feb 2, 2015 | $3,106 | + 0.00% | 15 |
| Tue, Feb 3, 2015 | $3,793 | + 22.12% | 15 |
| Wed, Feb 4, 2015 | $2,481 | -34.59% | 15 |
| Thu, Feb 5, 2015 | $2,554 | + 2.94% | 15 |
| Fri, Feb 6, 2015 | $6,163 | + 141.31% | 24 |
| Sat, Feb 7, 2015 | $15,452 | + 150.72% | 24 |
| Sun, Feb 8, 2015 | $15,758 | + 1.98% | 24 |
| Name | Character |
|---|---|
| Kristyan Ferrer | Ramón |
| Ingeborg Schöner | Ruth |
| Adriana Barraza | Esperanza |
| Arcelia Ramírez | Rosa |
| Rüdiger Evers | Karl |
| Hector Kotsifakis | Güero |
| Marcel Batangtaris | Flughafenangestellter |
| Andreas Berg | Herr Neumann |
| Marius Biegai | Bundesgrenzschutz |
| Jorge de los Reyes | El Chiquis |
| Karl Friedrich | Schneider |
| Anna Haack | Angela |
| Micky Jukovic | Beglar |
| Franziska Kruse | Hanna |
| Michèle Akouvi Müller | Nadja |
| Esther Maria Pietsch | Renate |
| Jorge Ramírez Suárez | Rudo |
| Luis Rosales | Manotas |
| Frank W. Rima | Fahrgast |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|
Week 1: $49.31K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$4.7M (98.96%)
Investor Share: $1.65M
Budget: $4M
P&A: $4M
Gross: $4.75M
Net: $1.67M
Costs: $8M
Profit: $-6.33M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.