Taxi Poster
Taxi (2015)
TMDB Wikipedia Letterboxd Rotten Tomatoes Website IMDB Numbers Box Office Mojo
Taxi Revenue (Daily) (with Theater Counts)

Domestic Total: 4.05K

Opening Weekend: 4.05K

Legs: 1.00

Overview: Hamburg, mid 80s, Alex is a cabby. The sound is hard, pubs are dark and loud, people constantly argue about anything and everything, people smoke all the time, and not just cigarettes. Alex wants love and freedom and sleeps with Dietrich. It's far from being love, but the sex is okay. With Marc, a little person full of dignity, she finds more than that. The rest is struggles with her passengers, the indifferent and the doomed, brutes as other nuisances. This sort of life could go on and on, Alex could drive away from her own life and in doing so lose Marc and not getting rid of Dietrich. Wouldn't there be a small monkey with the same invincible desire for freedom as hers.


TMDB

5.6

IMDB

5.9

Metacritic

0

RT Tomato

89

RT Popcorn

93

Letterboxd

3.20

Daily Table

DateRevenue% YDTheaters
Sun, Jan 31, 2016$4,053+ 0.00%2
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
Mistress AmericaAug 14, 2015$0
Z for ZachariahAug 13, 2015$0
GrandmaJun 4, 2015$600K
ABCD 2Jun 19, 2015$0
Once I Was a BeehiveAug 14, 2015$0
The ClanAug 13, 2015$4M
Bajrangi BhaijaanJul 17, 2015$13M
Batkid BeginsJun 26, 2015$0
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Profitability Breakdown

Domestic

Week 1: $4.05K

Investor Share: $2.43K

Week 2: $0.00

Investor Share: $0.00

Week 3+: $0.00

Investor Share: $0.00

International

$10.91M (99.96%)

Investor Share: $3.82M

Costs

Budget: $N/A


P&A: $N/A

Breakdown

Gross: $10.92M


Net: $3.82M


Costs: $0.00

Profit

Profit: $3.82M

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.