The Sky Is Pink Poster
The Sky Is Pink (2019)
TMDB Wikipedia Letterboxd Rotten Tomatoes Website IMDB Numbers Box Office Mojo
The Sky Is Pink Revenue (Daily) (with Theater Counts)

Domestic Total: 555.03K

Opening Weekend: 267.77K

Legs: 2.07

Overview: The 25-year-old love story of a couple is told through the lens of their teenage daughter after she is diagnosed with pulmonary fibrosis.


TMDB

7.9

IMDB

7.6

Metacritic

55

RT Tomato

73

RT Popcorn

91

Letterboxd

3.65

Daily Table

DateRevenue% YDTheaters
Fri, Oct 11, 2019$80,737+ 0.00%194
Sat, Oct 12, 2019$107,665+ 33.35%194
Sun, Oct 13, 2019$79,369 -26.28%194
Mon, Oct 14, 2019$31,177 -60.72%194
Tue, Oct 15, 2019$49,650+ 59.25%194
Wed, Oct 16, 2019$23,725 -52.22%194
Thu, Oct 17, 2019$17,928 -24.43%194
Fri, Oct 18, 2019$34,083+ 90.11%95
Sat, Oct 19, 2019$37,375+ 9.66%95
Sun, Oct 20, 2019$36,285 -2.92%95
Mon, Oct 21, 2019$11,625 -67.96%95
Tue, Oct 22, 2019$14,666+ 26.16%95
Wed, Oct 23, 2019$11,814 -19.45%95
Thu, Oct 24, 2019$11,405 -3.46%95
Fri, Oct 25, 2019$2,456 -78.47%11
Sat, Oct 26, 2019$3,084+ 25.57%11
Sun, Oct 27, 2019$1,986 -35.60%11
Loading weekend data...

Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
SanjuJun 29, 2018$22M
DangalDec 21, 2016$10M
NeerjaFeb 19, 2016$3M
M.S. Dhoni: The Untold StorySep 30, 2016$0
KaptaanMay 20, 2016$60
Mission MangalAug 15, 2019$0
Vita & VirginiaMay 2, 2019$0
Until ForeverOct 20, 2016$0
Loading percent ranks...

Profitability Breakdown

Domestic

Week 1: $390.25K

Investor Share: $234.15K

Week 2: $157.25K

Investor Share: $86.49K

Week 3+: $7.53K

Investor Share: $3.76K

International

$184.09K (24.91%)

Investor Share: $64.43K

Costs

Budget: $N/A


P&A: $N/A

Breakdown

Gross: $739.12K


Net: $388.84K


Costs: $0.00

Profit

Profit: $388.84K

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies

Keywords